Glenn Buhr FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   Definitions of personal style don’t get any clearer with life experience. This becomes obvious during my interview with Canadian composer and pianist Glenn Buhr. It also becomes clear however, that personal style[...] Read more

In the Works Gloria Lipski Issue 115

Thin Edge New Music Collective Joins the Circus   Last year, pianist Cheryl Duvall and violinist Ilana Waniuk joined the circus. This did not involve playing instruments while hanging from a trapeze, but like many big-top acts, it did require a certain amount of risk.         [...] Read more

Featured Article Jennie Punter Issue 127

Victoria Composers Cultivate a Place to Listen Why has a vibrant community of emerging composers chosen British Columbia’s cozy, scenic capital over more bustling contemporary-music hubs? THERE'S A DEEP HUSH in the church where I am sitting and nervously listening to an especially slow and fragile performance of[...] Read more

Featured Article Nick Storring Issue 129

Araz Salek, Inquisitive Traditionalist The adage about needing to learn the rules before breaking them is a finger-wag directed at young, ambitious artists, cautioning them not to stray from convention until they’ve reached their coveted but elusive destination: mastery. But could the inverse of that be just as true—[...] Read more

Featured Article Nick Storring Issue 138

The Quiet Waves of Silla and Rise In early 2016 Ottawa-based DJ, producer, and dancer Eric Vani, aka Rise, was hired to create music to be played at the Canadian Museum of Nature’s Nature Nocturne—a themed-evening series that Vani describes as a “rave in the middle of dinosaur skeletons.”[...] Read more

Sound Bite Chaka V. Grier Issue 134

What's Inside Musicworks 144? Cozy up with the Winter 2022–23 issue and discover new pathways of sonic connectivity!   ON THE COVER: SLOWPITCHSOUND With roots in turntablism that extend into the likes of classical composition, sound design, and theatre, Toronto-based artist and musician[...] Read more

Featured Article Issue 144

Tom Wayman’s “Elemental Musics: Selkirk Mountains” 1. ARIA   Alpine wind in the stunted firs half whispers an austere wistfulness with overtones of regret at being compelled by a harsh landscape to be mercilessly forthright: a breathy flute-note surging and fading[...] Read more

Sonic Geography Tom Wayman Issue 127

Mariana Vieira’s The Unexpected Encounter with Diversity Electronic music has the potential to free composers and sounds from physical and cultural constraints while also bringing those elements closer together. Composer Mariana Vieira has been exploring ideas in this creative space since her undergraduate studies in composition at Escola Superior[...] Read more

Sound Bite Jennie Punter Issue 143

Anna Höstman Tunes In To Her Roots There’s no place like home. For Anna Höstman, winner of the 2013 Toronto Emerging Composer Award, home is the Bella Coola Valley, a remote wilderness wonderland on British Columbia’s central coast. Its rich cultural history dates back 10,000 years to the Nuxalkmc people (now[...] Read more

In the Works Jennie Punter Issue 117

Charlemagne Palestine Pulls Out the Stops Interpretation takes the sensory experience of the work of art for granted, and proceeds from there. What is important now is to recover our senses. We must learn to see more, to hear more, to feel more. —Susan Sontag, “Against Interpretation”  [...] Read more

Featured Article Julian Cowley Issue 117