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Mark Molnar’s alternative trajectories Harrowingly unbridled and unpredictable, yet blatantly meticulous in their construction, Mark Molnar’s compositions frequently emerge as rugged tangles of bowed-string sonorities. Even though their gestural expressivity might suggest that they could’ve been conceived in myriad[...] Read more
Paul Walde Subverts Nature as Culture The column of light is beamed directly into the sky. As if intended to summon some celestial visitor, the beam of photons is emitted from a circle of glowing discs, placed in the most unassuming place imaginable—a farmer’s field (don’t ET’s always land there?). This,[...] Read more
Derek Charke Derek Charke is irresistibly attracted to the North. In 2006 he found himself in the Yukon, dogsledding with the Kronos Quartet. For a composer with a love of the Arctic it doesn’t get better, or more surreal, than this. A few days earlier he had been in a Whitehorse hotel room where[...] Read more
Myriam Bleau spins Soft Revolvers In a darkened room, an artist is manipulating four translucent circular objects on a tabletop, moving from one to another. Audience members gather around. The objects emit light. Their spinning motion activates deep tones and beats that crackle and whir, and snippets of voice that drop in[...] Read more
Malcolm Cecil and the History of TONTO THE FOLLOWING STORY WAS PUBLISHED AS PART OF THE SUMMER / FALL 2017 FEATURE "INSIDE THE NATIONAL MUSIC CENTRE." Malcolm Cecil’s interest in electronics began at age nine, when he became the youngest member of a ham radio club in England. His mother was an accomplished[...] Read more
Vanese "VJ" Smith is Right on Time Vanese (pronounced va-NIECE) “VJ” Smith and I are on the Spadina streetcar, chatting like old friends. Just minutes earlier we met for the first time. I arrived from up North (aka Thornhill) in a state of winter-blues petulance, but when I saw her bright smile and waving arm from[...] Read more
Philip Glass Most people get presents or have parties thrown for them on special occasions. Philip Glass, however, was in more of a giving mood as he celebrated his seventy-fifth birthday at the end of January. The candles on his cake marked the start of a remarkable year that has the American composer[...] Read more
The Shapeshifting Sounds of Gabriel Dharmoo After experiencing Anthropologies Imaginaires, it’s hard to imagine that just a few years ago Gabriel Dharmoo, its creator and performer, was reluctant to use his spectacularly flexible voice to anything like its full extent. In fact, he initially rebelled against[...] Read more
2023 Musicworks Electronic Music Composition Contest For immediate release: Toronto, Canada, August 1, 2023 — The thirteenth annual Musicworks Electronic Music Composition Contest opens August 1, 2023. We invite you to share the news with your readers, audiences, and communities. [...] Read more
Gil Delindro’s instruments of nature Earlier this year, an eight-foot-across circle of solid ice was hung from the ceiling of Winnipeg’s RAW: Gallery of Architecture and Design. Why would anyone in the world’s second-coldest city (after Ulan Bator, Mongolia) want that legendary cold brought indoors? The occasion was[...] Read more
Binatone Galaxy Binatone Galaxy is an installation for used cassette players that looks on their obsolescence not as an ending, but as an opportunity to reconsider their functional potential. Superseded by digital audio players as recording and playback devices, cassette players become, in this work,[...] Read more
The Sound Future of Virtual Reality I HEAR A PERCUSSIVE THUD. SOMETHING IS HITTING THE FLOOR IN FRONT OF ME REPEATEDLY. It’s reverberating (I’m in a large room, I guess) and the rhythm is punctuated by frenzied bursts of high-pitched squeaks nearby. In the distance, I hear shuffling and the murmur of voices[...] Read more
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