Featured Articles
Diana Nadia Lawryshyn’s Traditions Made; Stories Told Ukrainian Canadian multidisciplinary artist Diana Nadia Lawryshyn uses technology to layer sounds just as she layers brushstrokes in her paintings. She invites listeners to slip on headphones, sit back, and let the arrangement tell a story full of captivating imagery that will be reshaped[...] Read more
Vanese "VJ" Smith is Right on Time Vanese (pronounced va-NIECE) “VJ” Smith and I are on the Spadina streetcar, chatting like old friends. Just minutes earlier we met for the first time. I arrived from up North (aka Thornhill) in a state of winter-blues petulance, but when I saw her bright smile and waving arm from[...] Read more
The Retro Aesthetic of Le Révélateur THE OCEAN RECEDES INTO THE DISTANCE, awash in thick bands of golden-purple sunset hues. Its surface ripples in loose synchronization with a burbling synthesizer score. Suddenly, a shimmering plane materializes and obliquely bisects the scene; the plane spins and the textures of the two[...] Read more
Nico Muhly “Rules in cooking are not iron-cast (and, as in any medium of expression, they are often bent or broken by practitioners of talent—but to break rules, one must have rules). They are merely the expression of a well of experience formed and enriched over the centuries, re-[...] Read more
The Genre of Morgan-Paige Morgan-Paige Melbourne was a child prodigy who started playing piano at three and singing and composing shortly afterwards. Soon she was winning piano competitions, and at sixteen she had her first composition published with SOCAN. It looked like she was heading for a glittering career as a[...] Read more
Roxanne Nesbitt's Soft Storms Welcomed and Jason Doell's Leaning Into Softness Two honourable mentions were given at Musicworks' 2020 Electronic Music Composition Contest: the first to Roxanne Nesbitt's Soft Storms Welcomed, and the second to Jason Doell's Leaning into Softness. Roxanne Nesbitt is an[...] Read more
The Quiet Waves of Silla and Rise In early 2016 Ottawa-based DJ, producer, and dancer Eric Vani, aka Rise, was hired to create music to be played at the Canadian Museum of Nature’s Nature Nocturne—a themed-evening series that Vani describes as a “rave in the middle of dinosaur skeletons.”[...] Read more
Allison Cameron’s Rarefied Soundworld "I NEVER THOUGHT I WAS DOING ANYTHING DIFFERENT THAN ANYBODY ELSE—I just thought, I’m doing what anybody else would write,” states Allison Cameron, matter-of-factly. Anyone familiar with her music—or her characteristic wry humour—could read this particular[...] Read more
Eldad Tsabary FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Israeli-Canadian composer Eldad Tsabary is omnivorous when it comes to digesting various influences, both musical and otherwise. With strong ties to Montreal’s electroacoustic scene, and as a lecturer in Concordia University[...] Read more
Simon Cacheux's InnerSelf Simon Cacheux works as a musician, sound designer, and sound artist. He is interested in the texture of sounds, how they blend with each other, and in the microfictions that occur within the sounds themselves. His work leans towards minimalism—in particular drones,[...] Read more
Stéphane Roy's Avec le temps | Bekah Simms' subsume This is final post in a series about the prize and honourable mention winners of the 2022 Musicworks Electronic Music Composition Contest. HONOURABLE MENTION: Stéphane Roy's Avec le temps… Time passing like a quiet caravan, this[...] Read more
John Preus' Slow Sound On a brisk fall afternoon in October, about two dozen people hunkered down in the intimate main room of Chicago’s Experimental Sound Studio. They watched some of the city’s more open-minded musicians—including guitarist Leroy Bach and drummer Mikel Avery—improvise on[...] Read more
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