Casa Da Música Builds A Home For Experimental Music FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   1497. Lisbon, Portugal. Navigator Vasco da Gama commands the first ship to sail from Europe to India. During the fifteenth century Portugal’s navigators are at the cutting edge of innovation and world discovery, their travel[...] Read more

Profile Richard Simas Issue 110

Carmen Braden Raises the Volume on the Subarctic “I'M JUST GOING TO TOUCH IT ON THE TOP," SAYS CARMEN BRADEN, LOOKING AT A BLACKENED PORCUPINE-LIKE LUMP OF ICE. "WHAT I THINK WILL HAPPEN: IT'S JUST GOING TO FALL APART. READY?"   It’s May 2014, and she’s talking to a camera. Her now-[...] Read more

Profile Samia Madwar Issue 126

The Musical Lightness of Éric Normand The world of improvised music has spawned a core of musician–organizers who have built scenes and networks and record labels to support and extend the music. Few, however, have achieved what Éric Normand has, creating a hotbed of free improvisation in the relatively isolated[...] Read more

Featured Article Stuart Broomer Issue 126

The Warp and Weft of Kelly Ruth In the history of musical instruments, the questions asked are pretty standard: Who played it? What did they play? How did it evolve? Kelly Ruth’s instrument, the weaving loom, carries an entirely different kind of history. It brings to mind mythology, solitary artisans, beautiful[...] Read more

Featured Article Ian Crutchley Issue 130

Musicworks' Marcelle Deschênes Prize in Electronic Music / Prix Marcelle Deschênes pour la musique électronique Please share this news with your friends, collaborators, and community.     Now in its fifth year, the Marcelle Deschênes Prize in Electronic Music / Prix Marcelle Deschênes pour la musique électronique is part of the annual[...] Read more

Sound Notes STAFF

Vicky Chow Is Just Warming Up Against a deep blue, backlit stage, Vicky Chow sat at the baby grand in the Scheuer Auditorium at the Jewish Museum on Manhattan’s Upper East Side in April 2017, flanked by forty speakers hanging from stands. For an uninterrupted hour, she played dizzying sequences of interlocking[...] Read more

Profile Kurt Gottschalk Issue 128

Julie Andreyev and Simon Lysander Overstall’s Biophilia November, some might say, is not the ideal time to visit the wild West Coast. The days are short, the leaves are down. In any normal year, monsoon season will have kicked in, producing alternating bands of drizzle and downpour, both equally grey and almost equally wet. But when the[...] Read more

Visions of sound Alexander Varty Issue 129

Erin Gee Sings the Body Electronic     SHOULD YOU EVER FIND YOURSELF IN A CONFINED SPACE WITH ERIN GEE, PREPARE TO BE ENTERTAINED, AND PERHAPS ALSO PUZZLED—AT LEAST BRIEFLY.   “If someone meets me in an elevator,” she tells Musicworks in a telephone interview[...] Read more

Visions of sound Alexander Varty Issue 126

Luke Nickel Transmits a Living Score Luke Nickel has written me a piece.   No, wait.   That’s not quite right.   Luke Nickel has left me a series of sometimes vague, sometimes specific instructions via audio recordings of his voice, which I am only allowed to listen to[...] Read more

Featured Article Heather Roche Issue 132

What's Inside Musicworks 141? The Winter 2021/22 issue explores the creative ideas of seven artists who are engaged in beautiful, daring musical acts of innovation, celebration, and resistance . . . artists that audiences and listeners like YOU will be discovering in 2022.   Flute enthusiasts, please note that[...] Read more

Featured Article Issue 141