Featured Articles

Cléo Palacio-Quintin “My work as a composer is eminently solitary. I feel like an island, but each island is a world, and in turn I am composed of these many worlds.” This is how Montreal composer, hyper-flute inventor, and performer Cléo Palacio-Quintin describes her work. Introspective and[...] Read more

Profile Richard Simas Issue 109

An Inexhaustible Source of Wild Music In the 1970s, electronic music studios at the University of Toronto and McGill University sparked exciting ideas in guitar composition. With a focus on the evolution of Canadian works for guitar and electroacoustics, guitarist and composer Amy Brandon tracks key events and works from[...] Read more

Featured Article Amy Brandon Issue 137

Sarah Neufeld: Solo Violin, Guerrilla-Style “I COULDN'T EVEN PLAY A NOTE. If you even breathe, your breath becomes this crazy, feathery freight train of echo.”   Sarah Neufeld recalls her first visit to Devil’s Mountain with a mixture of fear and delight. The site of an abandoned array of[...] Read more

Profile Jonathan Bunce Issue 117

FET.NAT’s Post-Punk Palimpsests Around twenty years ago, a post-punk revival was supposedly upon us. Reissue compilations proliferated alongside a crop of new artists who audibly drew from the genre’s heyday. Where punk-rock wedded a rock ethos with rebellious politics (or sometimes just rebellious posturing), post-punk[...] Read more

Profile Nick Storring Issue 136

Terri Hron joins the flock The slight, bright-eyed woman comfortably seated in her sunny Montreal studio is known as a musical beast. Hard to imagine. But the epithet is just one of several that contemporary recorder player and composer Terri Hron has earned—not on the expected grounds of virtuosity, but rather[...] Read more

Sound Bite Jason van Eyk Issue 110

The Audible Connections of Xuan Ye On Xuan Ye’s website, layers of text, symbols, and images float across the home page like something halfway between poetry and code. The site is an ever-changing digital archeology of her artistic works across a wide range of sonic and visual media. All of it defies categorization. In[...] Read more

Featured Article Sara Constant Issue 136

Jessica McMann Brings the Music Home While some creative people have been struggling to fill their time over the course of the pandemic, Cree dancer and musician Jessica McMann, who is a member of Cowessess First Nation in Saskatchewan—has been busy. But with powwows and in-person contemporary dance performances on pause[...] Read more

Sound Bite Elizabeth Chorney-Booth Issue 141

Eliot Britton FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   By his own account, Eliot Britton’s music treads dangerous territory. “I represent huge problems with art music and the whole idea of art music,” he says, and goes on to describe how in his compositions within the[...] Read more

Sound Bite Gloria Lipski Issue 113

Casa Da Música Builds A Home For Experimental Music FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   1497. Lisbon, Portugal. Navigator Vasco da Gama commands the first ship to sail from Europe to India. During the fifteenth century Portugal’s navigators are at the cutting edge of innovation and world discovery, their travel[...] Read more

Profile Richard Simas Issue 110

Christopher Mayo In 2005, Christopher Mayo had a summer that unexpectedly changed his approach to composing. The Toronto-born composer spent three weeks at the Bang on a Can Summer Music Institute in North Adams, Massachusetts, where he came into contact with composers Michael Gordon, David Lang, Julia Wolfe[...] Read more

Featured Article Julian Cowley Issue 110

Elastic Planets Stepping into this black cube is like entering an intergalactic observation deck. Enveloped by mechanical whirs, buzzes and clicks, a parade of heavenly bodies is presented for inspection. This particular set is kaleidoscopic in colour, malleable in shape, kinetic in nature, frenetic in texture[...] Read more

Visions of sound Jason van Eyk Issue 117

Tristan Perich’s 1-Bit Symphony Tristan Perich’s 1-Bit Symphony (2009–10) is an electronic composition in five movements on a single microchip housed in a CD jewel case. 1-Bit Symphony is not a recording in the traditional sense; it is a complete electronic circuit that literally performs its music once it is[...] Read more

Visions of sound Tristan Perich Issue 109