Featured Articles

What's Inside Musicworks 144? Cozy up with the Winter 2022–23 issue and discover new pathways of sonic connectivity!   ON THE COVER: SLOWPITCHSOUND With roots in turntablism that extend into the likes of classical composition, sound design, and theatre, Toronto-based artist and musician[...] Read more

Featured Article Issue 144

Ayo Leilani Interrogates the Beats “Eh Yo! Eh Yo, Leilani!,” she heard as she walked down a bustling New York City street. Turning around to see a friend calling out to greet her in the way that only the hip-hop generation can, Leilani (Hawaiian for “gift from the heavens”) realized she’d just[...] Read more

Sound Bite Francesca D’Amico Issue 125

Jörg Piringer's Sound Poetry App FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   The iPod touch is hissing loudly as two s’s move about the screen leaving a trail of fading s shapes in their wake. I drag the image of an r onto the screen with my finger, wanting to hear what effect that will have on the[...] Read more

Visions of sound Micheline Roi Issue 110

The Apperceptive Musical Adventures of Taylor Brook Canadian composer Taylor Brook—whose music can strike an unusual balance between challenge and charm, sometimes with an astonishing delicacy—had been based since 2011 in New York City, where he was first a doctoral student and then a lecturer at Columbia University, all the while[...] Read more

Profile Kurt Gottschalk Issue 140

Luke Nickel Transmits a Living Score Luke Nickel has written me a piece.   No, wait.   That’s not quite right.   Luke Nickel has left me a series of sometimes vague, sometimes specific instructions via audio recordings of his voice, which I am only allowed to listen to[...] Read more

Featured Article Heather Roche Issue 132

Dasha Rush: Dark Hearts of Space The prospects are grim for a person who has fallen into a black hole. The gravitational forces exerted by these mysterious regions of space are so strong that nothing—not even light—can escape, once it passes a certain proximity threshold. From a safe distance, the unlucky soul[...] Read more

Visions of sound Greg J. Smith Issue 125

Alanna Stuart Embraces the Bombast Multidimensional artist and music producer Alanna Stuart is constantly evolving. She regards categories not as borders but as things to be transcended. In her acclaimed duo Bonjay, with Ian “Pho” Swain, as well as her collaborative projects and her solo songwriting, she is[...] Read more

Featured Article Gloria Blizzard Issue 141

Araz Salek, Inquisitive Traditionalist The adage about needing to learn the rules before breaking them is a finger-wag directed at young, ambitious artists, cautioning them not to stray from convention until they’ve reached their coveted but elusive destination: mastery. But could the inverse of that be just as true—[...] Read more

Featured Article Nick Storring Issue 138

Ana Sokolović wants you to enjoy her imagination “Perhaps being old is having lighted rooms / Inside your head, and people in them, acting.”   These lines from “The Old Fools,” English postwar poet Philip Larkin’s fearsome ode to aging, sparked Montreal composer Ana Sokolović’s full-[...] Read more

Featured Article Holly Harris Issue 134

Sounds of an Unfolding Emergency “we have no power or wifi/internet”                                        [...] Read more

Sound Notes Monica Pearce Issue 139

Luca Kasper's "Atelier Métal" Swiss sound and visual artist Luca Kasper’s Atelier Métal was awarded third place in the 2023 Musicworks Electronic Music Composition Contest. Hit the PLAY button above to listen.   Currently based in France, in the countryside near Lyon, Kasper found the first[...] Read more

Featured Article STAFF

The Genre of Morgan-Paige Morgan-Paige Melbourne was a child prodigy who started playing piano at three and singing and composing shortly afterwards. Soon she was winning piano competitions, and at sixteen she had her first composition published with SOCAN. It looked like she was heading for a glittering career as a[...] Read more

Sound Bite Mary Dickie Issue 138