Featured Articles

Di Mainstone Fashions a New Sonic Future Di Mainstone, inventor of the Human Harp, describes herself as a “bridge botherer.” But to be accurate, her bridge-bothering activities are fairly recent. Before bridges (the Human Harp has, to date, played bridges in Brooklyn, Omaha, and Bristol) came mood-sensitive kinetic[...] Read more

Sound Notes Louise Gray Issue 123

Jean-Philippe Jullin's Nadir and Diana Lawryshyn's Streams of Consciousness The 2021 Musicworks Electronic Music Composition Contest awarded two artists with honourable mentions: Jean-Philippe Jullin for Nadir and Diana Nadia Lawryshyn for Streams of Consciousness.   JEAN-PHILIPPE JULLIN Born in 1995 in Marseille, France, Jean-Philippe[...] Read more

Featured Article

What's Inside Musicworks 131 - Fall 2018 Musicworks 131 is the second issue of our 40th anniversary year, featuring artists who are active in interarts, DIY culture, collaborative composing, and more! Buy the print issue (or print + CD combo!) from our shop or start your subscription with the Fall 2018 issue.  ON THE COVER[...] Read more

Featured Article Issue 131

Mariana Vieira’s The Unexpected Encounter with Diversity Electronic music has the potential to free composers and sounds from physical and cultural constraints while also bringing those elements closer together. Composer Mariana Vieira has been exploring ideas in this creative space since her undergraduate studies in composition at Escola Superior[...] Read more

Sound Bite Jennie Punter Issue 143

Ningxin Zhang’s Kagemusha: for Pipa and Electronics At age five, Ningxin Zhang started her classical training on the pipa—a lute-like plucked Chinese instrument in use for more than 2,000 years—and followed the traditional route of practising repertoire (classical and folk songs) and performing in competitions. While studying[...] Read more

Sound Bite Jennie Punter Issue 148

Another Timbre’s Canadian Composers Series “I earn my living as a sound recordist on TV programs,” Simon Reynell relates. “I don’t put creative energies into that, but it’s well paid, so I don’t have to work more than an average of six days a month, which allows me to spend most of my time on the[...] Read more

Sound Notes Julian Cowley Issue 128

Video Game Music: New Directions in Play       The first time I played PaRappa the Rapper was a struggle. I was with my parents at a novelty deli where each table was outfitted with a television and a PlayStation video-game console. I didn’t have one at home, but a paper-thin, hip-hop cartoon[...] Read more

Featured Article Zack Kotzer Issue 120

Between Folklore and the Future: The Music of Heidi Chan Heidi Chan began combining her passions for arranging, technology, and traditional instruments when her father gave her a demo version of the music software program Cakewalk. “Because it was a demo version, I couldn’t save anything,” she recalls. “So I had to leave[...] Read more

Sound Bite Francesca D’Amico Issue 126

New Age Doom Steps Forward The day of my interview with the Vancouver experimental-metal duo New Age Doom began with the heart-sinking news that legendary dub artist Lee “Scratch” Perry had passed away. After making my way through the winding side streets of Vancouver’s Downtown Eastside, I arrived[...] Read more

Featured Article Jesse Locke Issue 141

2023 Musicworks Electronic Music Composition Contest   For immediate release: Toronto, Canada, August 1, 2023 — The thirteenth annual Musicworks Electronic Music Composition Contest opens August 1, 2023. We invite you to share the news with your readers, audiences, and communities. [...] Read more

Featured Article STAFF

Alanna Stuart Embraces the Bombast Multidimensional artist and music producer Alanna Stuart is constantly evolving. She regards categories not as borders but as things to be transcended. In her acclaimed duo Bonjay, with Ian “Pho” Swain, as well as her collaborative projects and her solo songwriting, she is[...] Read more

Featured Article Gloria Blizzard Issue 141

Michael Pounds' "Breathing 2: Re/Inspiration" Michael Pounds began his career as a mechanical engineer, receiving a B.S. from Ohio University. After working at the NASA Lewis Research Center, he returned to the academic world to study music composition with a focus on computer music and music technology. After undergraduate music[...] Read more

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