Featured Articles

Stéphane Roy's Avec le temps | Bekah Simms' subsume This is final post in a series about the prize and honourable mention winners of the 2022 Musicworks Electronic Music Composition Contest.   HONOURABLE MENTION:  Stéphane Roy's Avec le temps…   Time passing like a quiet caravan, this[...] Read more

Sound Notes

Sami Blanco’s Experimental Atmospheres Yellowknife-based experimental electronic-music artist Sami Blanco plays me a snippet of a soundbank he made for late-night broadcast on Yellowknife’s francophone radio station, CIVR-FM, familiarly known as Radio Taïga. Emerging from a Korg MS2000—the virtual analog[...] Read more

Sound Bite Laura Stanley Issue 134

New Stages For New Music Intense purple LED light washes over the Thin Edge New Music Collective (ABOVE PHOTO) as they scramble to soundcheck, seeming to heighten the chaotic mood at Long Winter, Toronto’s monthly interarts festival series during the coldest season. Two different sources of electric guitar[...] Read more

Featured Article David Dacks and Peter Burton Issue 125

Kris Davis nurtures new shapes in jazz Kris Davis is working on setting a routine. It’s not an unusual task. It’s one that new mothers all over Brooklyn who work odd hours have to contend with. But it’s a challenge. She’s up at six a.m. every day with her son, who turned one in July 2014. While on new-[...] Read more

Featured Article Kurt Gottschalk Issue 120

music, interrupted A barrage of media releases announcing the cancellation or postponement of concerts and festivals—in my hometown of Toronto, in music hubs across Canada and beyond—began hitting my inbox with increasing intensity the second week of March. Like many who actively follow, attend,[...] Read more

Editorial Jennie Punter Issue 136

SlowPitchSound and the Universe Between the Grooves When it comes to picking the defining factors of a musical practice, some artists view their work as a single, continuous process, homing in on a specific vision and returning to it repeatedly. Others are the opposite—traversing a multitude of styles and sounds as they launch[...] Read more

Featured Article Sara Constant Issue 144

Gregory Oh On the first Sunday in March 2011, at the Betty Oliphant Theatre in Toronto, Gregory Oh performed in a concert featuring the works of British composer Jonathan Harvey. Oh wore a grey-collared shirt and black pants. His Fluevog shoes were shiny black with aqua laces, which even under his[...] Read more

Featured Article Matthew Pioro Issue 110

HEAT UP YOUR SUMMER WITH SIZZLING SONICS! Check out the 2023 Musicworks Festival Preview Our annual guide to late Spring and Summer festivals and sonic events is a snapshot of musical adventures set to unfold in Canadian intersections, fields, and venues. Check out the 2023 Musicworks Festival Preview!   PAID ADVERTISEMENTS[...] Read more

Featured Article

Jean Derome’s Reflections of Joy Over the past four decades, Jean Derome’s musical interests have spanned everything from standards to skronk. He has composed graphic scores for large ensembles, created multimedia works for string quartets, and devised music for dance, theatre, and cinema works. But what Derome is[...] Read more

Featured Article Lawrence Joseph Issue 121

STEIM FULL-TEXT AVAILABLE IN PRINT EDITION ONLY     Maybe someone would have been able to guess what I was getting myself into when I left for STEIM in The Netherlands. After all, there was a pretty clear sign. All passengers had boarded the plane, and we all were eager to get to our[...] Read more

Featured Article Glen Hall Issue 109

Eighty-five scores celebrate Pauline Oliveros Still Listening: New Works in Honour of Pauline Oliveros (1932-2016) is a project initially conceived to mark Oliveros’ eighty-fifth birthday on May 30, 2017. Eighty-five artists were invited to create eighty-five new compositions, each with a duration of eighty-five seconds. Organized by[...] Read more

In the Works Lawrence Joseph Issue 127

Linda Catlin Smith Lets In the Light   It’s 2004. I am taking my first composition course at Mount Allison University. I have recently become enamoured of new music and am catching up on a long list of listening in the basement of the Alfred Whitehead Memorial Music Library. I come across Memory Forms (2001), a[...] Read more

Featured Article Monica Pearce Issue 133