Tim Olive’s Flexible Aesthetic It’s a typically humming Saturday night at the Tranzac Club. Different events are in progress in each of the Toronto venue’s three rooms. The Tiki Room (the smallest and most living-room-like of the three) is hosting a special edition of the Audiopollination series, which is[...] Read more

Profile Joe Strutt Issue 135

Jean-Sebastien Audet’s Songs of Ephemera Jean-Sebastien Audet and I drink coffee in a café on Toronto’s Queen Street West, as we try to pin down his elusive music. The man who has kindly given us his larger table is now squeezed into a corner with his laptop and is feigning interest in nondescript wall art. He perks up[...] Read more

Featured Article Chaka V. Grier Issue 131

David Psutka Augments Creative Spaces In 2019, David Psutka was approached by Karen Vanderborght to compose the soundtrack for her augmented reality documentary Grey Matter AR, which she had started developing a few years earlier. Vanderborght, who describes herself as an extended reality (XR) creative, had begun by filming[...] Read more

Sound Notes Max Mertens Issue 139

Scott Thomson Among bike bells, olives, and music maps, Scott Thomson lounges in his Montreal apartment, seeming to enjoy a relaxed summer evening. Later, the sight of his trombone—on a stand nearby—will remind him he has a lot of work to do.   Scott is working on new piece to[...] Read more

In the Works Gloria Lipski Issue 111

What's Inside Musicworks 136? The Spring 2020 issue is a one-stop, one-of-a-kind sonic journey. Most of the stories were assigned, written, and edited before the lockdown, due to the global COVID-19 health crisis, took hold. Events referred to or advertised in this issue were not yet cancelled at press time but likely[...] Read more

Featured Article Issue 136

Fuhong Shi Closes the Distance If Canada has any meaning to most Chinese, it is likely through a widely read essay written by the late Chairman Mao in praise of Dr. Norman Bethune, the Montreal doctor who ministered to Mao’s suffering soldiers during the Long March of the late 1930s.   Musically,[...] Read more

Sound Bite William Littler Issue 117

Margaret Noble's Safer Is Better   With an underground club DJ’s flair for performance and a conceptual artist’s commitment to the rigorous investigation of ideas, San Diego interdisciplinary artist Margaret Noble explores in her sound work Frakture the resonance in contemporary society of George[...] Read more

Sound Bite Jennie Punter Issue 118

João Pedro Oliveira's N'vi'ah João Pedro Oliveira won second place in the 2022 Musicworks Electronic Music Composition Contest.  Listen to and read about his award-winning composition!       "N'vi'ah is an Old Testament word meaning prophetess. A[...] Read more

Featured Article STAFF

What's Inside Musicworks 150 ON THE COVER Maylee Todd                     Maylee Todd has made a practice of embracing everything, especially when it comes to crafting a uniquely weird aesthetic—such as her busy digital avatar Maloo—out of[...] Read more

Featured Article Issue 150

Victor Gama builds a brave new soundworld Wherever Victor Gama plays, you can be sure clusters of people will be jostling to percuss the upturned metal bowls of his tipaw (so called because the surface of the instrument looks like the pads of a tiger paw), to bow the eight metal strings of the tahra, or simply to wander the length[...] Read more

Featured Article Louise Gray Issue 118