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The Astral Excursions of John Mills-Cockell The imagination of electronic composer John Mills-Cockell exists in a liminal space. His music, with its neon-pastoral glow, feels neither jarringly futuristic nor soothingly nostalgic. Nevertheless, as the very first Canadian owner of a Moog synthesizer (purchased the same day Wendy Carlos[...] Read more
Terri Hron joins the flock The slight, bright-eyed woman comfortably seated in her sunny Montreal studio is known as a musical beast. Hard to imagine. But the epithet is just one of several that contemporary recorder player and composer Terri Hron has earned—not on the expected grounds of virtuosity, but rather[...] Read more
Stéphane Roy's Avec le temps | Bekah Simms' subsume This is final post in a series about the prize and honourable mention winners of the 2022 Musicworks Electronic Music Composition Contest. HONOURABLE MENTION: Stéphane Roy's Avec le temps… Time passing like a quiet caravan, this[...] Read more
Christopher Mayo In 2005, Christopher Mayo had a summer that unexpectedly changed his approach to composing. The Toronto-born composer spent three weeks at the Bang on a Can Summer Music Institute in North Adams, Massachusetts, where he came into contact with composers Michael Gordon, David Lang, Julia Wolfe[...] Read more
The Shapeshifting Sounds of Gabriel Dharmoo After experiencing Anthropologies Imaginaires, it’s hard to imagine that just a few years ago Gabriel Dharmoo, its creator and performer, was reluctant to use his spectacularly flexible voice to anything like its full extent. In fact, he initially rebelled against[...] Read more
MUSICWORKS UNVEILS 2016 CONTEST WINNERS MUSICWORKS UNVEILS 2016 CONTEST WINNERS Vancouver musician Craig Aalders and B.C. poet Tom Wayman win top marks in Musicworks’ 2016 Electronic Music Composition and Sonic Geography Writing Contests For the first time in Musicworks contest[...] Read more
Sarah Hennies, Linguist in the Land of Noises Identity is a deeply personal, elusive, and complex thing, and thus, a common source of creative fuel. Yet for the endless variety of discrete identities and individual perspectives on the topic, there is a dominant set of tropes around the way that identity is addressed artistically. The[...] Read more
Jessica McMann Brings the Music Home While some creative people have been struggling to fill their time over the course of the pandemic, Cree dancer and musician Jessica McMann, who is a member of Cowessess First Nation in Saskatchewan—has been busy. But with powwows and in-person contemporary dance performances on pause[...] Read more
Charlie Morrow, Sonic Nomad “My work is what it is and I move in many worlds. I would have nothing except for being carried on the shoulders of friendship and shared interest.” Intrepid sonic investigator Charlie Morrow’s early-’90s Lower East Side event, Urban[...] Read more
The Radical Transcriptions of sfSound PERHAPS NO OTHER AMERICAN METROPOLIS is more associated with important countercultural movements than the San Francisco Bay Area. From the Beats of the 1950s and the hippies of the 1960s to the radical punks of the ’70s and ’80s, the “city by the Bay” has long[...] Read more
Amanda Dawn Christie’s Requiem for Radio In 2012 the Canadian Broadcasting Corporation (CBC) began to tear down its Radio-Canada International towers in Sackville, New Brunswick (home to some 6,000 people and best known as the locale of the beloved SappyFest). The dismantling of the towers wasn’t just another chapter in the[...] Read more
Émilie Payeur FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Émilie Payeur is young and inspired. “Electroacoustic music is a different kind of music,” she says. “To me, it is even more than music. It’s literally sound painting, and that is why it should be seen[...] Read more
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