Featured Articles
What's Inside Musicworks 150 ON THE COVER Maylee Todd Maylee Todd has made a practice of embracing everything, especially when it comes to crafting a uniquely weird aesthetic—such as her busy digital avatar Maloo—out of[...] Read more
What's Inside Musicworks 135? The artists in the Winter 2019 issue are connected through the sonic mycelium of Musicworks! Order the Winter issue now. Buffy Sainte-Marie's Illuminations Buffy Sainte-Marie’s Illuminations is one of the most sonically[...] Read more
Joshua Abrams’ Natural Information Society THERE'S AN ENGAGING CATCH-AS-CATCH-CAN LOOK to Joshua Abrams’ Natural Information Society, something that immediately conveys a certain spontaneity, yet disguises—slightly—the complexity of the music. During the band’s North American tour in May 2015, which[...] Read more
Carmen Vanderveken is full of surprises Quebec-born composer Carmen Vanderveken was commissioned by the Dutch annual festival Gaudeamus Muziekweek to write a piece for a quartet featuring Dutch bass clarinetist Fie Schouten. An earlier piece sheds light on the shape and sound of the music Carmen Vanderveken is[...] Read more
What's Inside Musicworks 145 ON THE COVER: SIMONE SCHMIDT Simone Schmidt is a visionary artist who consistently finds new possibilities for the country song form. In the Toronto psychedelic country bands One Hundred Dollars and The Highest Order and as Fiver, Schmidt has created some of the most original[...] Read more
What's inside Musicworks 134? The artists in the Fall 2019 issue expand their perspectives through innovative collaborations and combos—they just can’t get enough! Order Musicworks 134 now. Ana Sokolović Serbian-born Canadian composer Ana Sokolović's fantastical,[...] Read more
Muxubo Mohamed Dares to Represent Compromise? What is compromising? Compromising for what? Compromising for what reason? . . . What is compromise? —Eartha Kitt That emphatic excerpt from a 1982 documentary is sampled at the start of “He(r)story,” the opening track on[...] Read more
2018 Musicworks Electronic Music Composition Contest Winners TORONTO, CANADA, March 8, 2019. For immediate release: Musicworks is thrilled to announce the winners of its 2018 Electronic Music Composition Contest. U.K. composer Manuella Blackburn (left) has won first prize with her[...] Read more
Analia Llugdar FULL-TEXT AVAILABLE IN PRINT EDITION ONLY In her music, Montreal composer Analia Llugdar delves deeply into the primal interior of sound, as evidenced by a sampling of her work from 2003 to 2009. There are compositions for solo cello, small (trio) and large ensembles, often[...] Read more
Laraaji, Forever Expanding in Experimental Directions New Age legend Laraaji has soared through a five-decade artistic voyage, propelled by the fiery spirit of positivity that’s represented by his trademark orange clothes. The seventy-six-year-old African-American visionary, who continues to joyfully record, perform, and present laughter-[...] Read more
Maria de Alvear, Rebel By Nature Contradiction is a huge theme in contemporary experimental music. Today’s most potent works situate the listener at hitherto unimaginable thresholds between seemingly irreconcilable points. While many artists use paradoxical scenarios as compositional devices, Spanish-German composer[...] Read more
The Ring Road, Iceland FULL-TEXT AVAILABLE IN PRINT EDITION ONLY It’s not often in a lifetime that you get to circumnavigate an entire country. And it’s not often that you come across an entire country that’s a small island whose most remarkable work of public infrastructure is a two-[...] Read more
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