Featured Articles

Giulia Regini's NeOnSound Italian composer Giulia Regini’s NeOnSound is the winner of the 2021 Marcelle Deschênes Prize in Electronic Music, as selected by the jury of Musicworks’ 2021 Electronic Music Composition Contest. “NeOnSound is an audiovisual composition inspired by Dan Flavin's[...] Read more

Sound Notes STAFF

Roxanne Nesbitt's Soft Storms Welcomed and Jason Doell's Leaning Into Softness Two honourable mentions were given at Musicworks' 2020 Electronic Music Composition Contest: the first to Roxanne Nesbitt's Soft Storms Welcomed, and the second to Jason Doell's Leaning into Softness.   Roxanne Nesbitt is an[...] Read more

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Ayelet Rose Gottlieb's Open-Heart Tunings There’s a faint but persistent ringing coming from the southwest corner of Ayelet Rose Gottlieb’s Vancouver apartment. We discover one of her young twins picking purposefully at the keys of a brightly coloured toy piano. The other twin comes over, attracted by this large stranger[...] Read more

Sound Notes Alexander Varty Issue 124

Eve Egoyan and David Rokeby's Surface Tension Surface Tension is a thirty-five-minute collaborative interarts work that the two of us (pianist Eve Egoyan and installation artist David Rokeby) created for Disklavier piano and interactive video. The piece explores the relationship between what we do separately in our respective[...] Read more

Visions of sound Eve Egoyan and David Rokeby Issue 105

Phivos-Angelos Kollias' Nostophiliac AI Third place in the 2022 Musicworks Electronic Music Composition Contest was awarded to  Phivos-Angelos Kollias for video-music piece "Nostophiliac AI."   “We interact daily with algorithms that emulate human perception and collective[...] Read more

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Rocío Cano Valiño’s Intortus The title of Intortus, a recent electronic composition by Rocío Cano Valiño, is a word used for a kind of cirrus cloud with twisted, seemingly entangled filaments. Even casual cloudwatchers know that these painterly wisps are shapeshifting storytellers; they may start out[...] Read more

Sound Bite Jennie Punter Issue 151

Debashis Sinha “La montaña. El cuervo. Cada mota de polvo elevada por mis pasos alberga incontables palabras,” intones the deeply resonant voice, as the rhythmic sound of footsteps fades up and a single gong-stroke repeats slowly.   This is Kailash, a radiophonic work by[...] Read more

In the Works Micheline Roi Issue 106

Musicworks' 2017 Summer Festival Preview Some of my most cherished experiences happened at summer music festivals—from scanning the schedules and planning the road trips to meeting new friends and, of course, identifying new musicians and artists. Here at Musicworks, we’re discovering more must-see festivals and events[...] Read more

Sound Notes

Vancouver's Intercultural Music Scene Intercultural music-making in British Columbia is nothing new. Gold seekers brought the violin to the province’s north in the 1890s, and their jigs and reels were quickly adapted by the region’s Tahltan musicians into a true hybrid form. In the mid-1960s, Vancouver performers[...] Read more

Featured Article Alexander Varty Issue 121

Cris Derksen enhances her sonic adventure Some musicians fall in love with an instrument at a very young age and never look back; others experiment with many different ones before they find the ideal match for their talents. Cris Derksen is one of the latter. As a child, she first wanted to play flute, then saxophone, then double[...] Read more

Featured Article Mary Dickie Issue 121

Tristan Perich’s 1-Bit Symphony Tristan Perich’s 1-Bit Symphony (2009–10) is an electronic composition in five movements on a single microchip housed in a CD jewel case. 1-Bit Symphony is not a recording in the traditional sense; it is a complete electronic circuit that literally performs its music once it is[...] Read more

Visions of sound Tristan Perich Issue 109

Rose Bolton   Rose Bolton speaks clearly about what she wants. “I think clever would be the word that I would not want to hear people use when speaking about my music—regardless of whether it actually is or not. Ultimately, it’s not music about music; there has to be a bigger[...] Read more

Profile Nick Storring Issue 113