Featured Articles
Havana, Cuba What does a city sound like whose history spans periods of colonial opulence, Mafia casino decadence, and a dying communist revolution? The habanera, the salsa, and reggaeton. Havana’s storied past has produced a musical culture as varied and deep as the sociopolitical eras that it has[...] Read more
Jessie Lausé's Movements Jessie Lausé wins second place in the 2021 Musicworks Electronic Music Composition Contest for Movements, a three-movement work for eight-channel mixed media. “[Movements] explores the melodic and registral capabilities of modified human and spatial[...] Read more
Meet the Winners of the 2024 Musicworks Electronic Music Composition Contest TORONTO, CANADA, May 29, 2025: Musicworks is pleased to announce that Lyon-based composer Rocío Cano Valiño (photo by © Deni Ríos) has won first prize in the 2024 Musicworks Electronic Music Composition Contest for her stereo electroacoustic[...] Read more
Nico Muhly “Rules in cooking are not iron-cast (and, as in any medium of expression, they are often bent or broken by practitioners of talent—but to break rules, one must have rules). They are merely the expression of a well of experience formed and enriched over the centuries, re-[...] Read more
The Musical Colours of Dominique Fils-Aimé On the 2004 live-concert recording Tour de Force, the renowned American poet and musician Gil Scott-Heron introduces his 1981 song “Is That Jazz?”: “Go to your record store . . . look at the bottom shelf, you will find a box called miscellaneous. We are miscellaneous. We[...] Read more
Nicole Lizée invites us to hear things her way Nicole Lizée is a huge fan of Alfred Hitchcock, science-fiction films, and Lars von Trier, the maverick Danish director whose Dogme (dogma), about film, inspires her own reflection on how to compose music. She says composers should be just as bold and inventive about creating music as von[...] Read more
Emilie LeBel’s Field Notes For many composers, a work in progress comes with strings attached—no pun intended. There are arts councils and concert presenters to satisfy, musicians to liaise with, premiere dates that draw ever closer. Deadlines, of course, can get the juices flowing, and creative constraints ([...] Read more
Andrew Staniland accelerates toward the next idea IN 2013, NASA CONFIRMED THAT the Voyager 1 probe had become the first manmade object to cross the heliopause, leaving the bounds of our solar system and entering interstellar space. In addition to its scientific instruments, Voyager 1 was famously carrying a Golden Record entitled[...] Read more
Sabarah Pilon Finds the Centre In early May, Fredericton musician Sabarah Pilon is getting ready to play her first live show in two years. It’s taking place in a week’s time, on the same weekend as the 2022 East Coast Music Association awards, where her 2021 album Frantic Ram is nominated for Electronic[...] Read more
What's Inside Musicworks 154? ON THE COVER ANJU SINGH Cover photo by Dani Osborne Story by Melissa Vincent Vancouver-based Anju Singh creative work has spanned a remarkable range of forms throughout her prolific career. "I've always known that I wanted to make things, she tells writer[...] Read more
Ayo Leilani Interrogates the Beats “Eh Yo! Eh Yo, Leilani!,” she heard as she walked down a bustling New York City street. Turning around to see a friend calling out to greet her in the way that only the hip-hop generation can, Leilani (Hawaiian for “gift from the heavens”) realized she’d just[...] Read more
Victor Gama builds a brave new soundworld Wherever Victor Gama plays, you can be sure clusters of people will be jostling to percuss the upturned metal bowls of his tipaw (so called because the surface of the instrument looks like the pads of a tiger paw), to bow the eight metal strings of the tahra, or simply to wander the length[...] Read more
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