Carmen Braden Raises the Volume on the Subarctic “I'M JUST GOING TO TOUCH IT ON THE TOP," SAYS CARMEN BRADEN, LOOKING AT A BLACKENED PORCUPINE-LIKE LUMP OF ICE. "WHAT I THINK WILL HAPPEN: IT'S JUST GOING TO FALL APART. READY?"   It’s May 2014, and she’s talking to a camera. Her now-[...] Read more

Profile Samia Madwar Issue 126

Phivos-Angelos Kollias' Nostophiliac AI Third place in the 2022 Musicworks Electronic Music Composition Contest was awarded to  Phivos-Angelos Kollias for video-music piece "Nostophiliac AI."   “We interact daily with algorithms that emulate human perception and collective[...] Read more

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Camino De Santiago De Compostela FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   In the spring of 2010 we undertook a walk to Santiago de Compostela in northwestern Spain, a pilgrimage site since the Middle Ages. It’s the traditional burial site of Santiago, or St. James, one of Christ’s apostles who[...] Read more

Sonic Geography Stuart and Cherie Broomer Issue 109

Charlie Morrow, Sonic Nomad  “My work is what it is and I move in many worlds. I would have nothing except for being carried on the shoulders of friendship and shared interest.”   Intrepid sonic investigator Charlie Morrow’s early-’90s Lower East Side event, Urban[...] Read more

Featured Article Bart Plantenga Issue 134

Manuella Blackburn’s Home Truths U.K. composer Manuella Blackburn’s composition Home Truths won the Marcelle Deschênes Prize in Electronic Music in the 2023 Musicworks Electronic Music Composition (EMC) Contest. This donor-supported annual prize awards $300 to a self-identified female or non-binary composer with[...] Read more

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Urbanvessel and Juliet Palmer Suit-tail-clad Juliet Palmer sits at the top of a stepladder in the middle of the diamond-shaped ring. Tonight, she’s not wearing her Canadian composer hat. Tonight, she’s a sports announcer.   “Ladies and gentlemen, boys and girls, welcome to Voice-Box![...] Read more

Featured Article Jonathan Bunce Issue 108

The Shapeshifting Sounds of Gabriel Dharmoo After experiencing Anthropologies Imaginaires, it’s hard to imagine that just a few years ago Gabriel Dharmoo, its creator and performer, was reluctant to use his spectacularly flexible voice to anything like its full extent.   In fact, he initially rebelled against[...] Read more

Sound Notes Alexander Varty Issue 125

Kamancello explores a new duo dimension “Kamanche means little bow in Kurdish and Farsi,” says Shahriyar Jamshidi, the kamanche player in Kamancello, his Toronto-based duo with cellist Raphael Weinroth-Browne. The pair marry rich lyricism and microtonal ornamentation, influenced by Iranian, classical, and metal musics[...] Read more

Sound Bite Daniel Glassman Issue 129

Chroma Mixed Media's Water Water, the second-place winner of Musicworks' 2018 Electronic Music Composition Contest, is a multimedia performance piece structured around changing states of water. It was composed collaboratively by three members of Chroma Mixed Media for a performance with the Co.Crea.Tive[...] Read more

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Eldad Tsabary FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   Israeli-Canadian composer Eldad Tsabary is omnivorous when it comes to digesting various influences, both musical and otherwise. With strong ties to Montreal’s electroacoustic scene, and as a lecturer in Concordia University[...] Read more

In the Works Nick Storring Issue 108

Arkora’s Cloud Chamber Arkora, a Toronto-based electric, vocal, chamber consort, includes an eight-voice choir and an accompanying ensemble, with irresistible composer bait—the Lumiphone. A giant, three-octave, thirty-one-tone, equal-tempered (31-TET) glass marimba, the Lumiphone was designed and constructed[...] Read more

Visions of sound Tova Kardonne Issue 137