Featured Articles

Audiopollination Seeds Creative Evolution “Two musicians, say, coming together to play a piece of music, I think has to be interesting. Even if the results are not in themselves a great piece of music, the way they find to work with each other says something about music. So you can hear one musician figuring out—you can[...] Read more

Sound Bite Joe Strutt Issue 144

Emilie LeBel’s Field Notes For many composers, a work in progress comes with strings attached—no pun intended. There are arts councils and concert presenters to satisfy, musicians to liaise with, premiere dates that draw ever closer. Deadlines, of course, can get the juices flowing, and creative constraints ([...] Read more

In the Works Jennie Punter Issue 120

Webber/Morris Big Band On a cold January evening in 2019, Angela Morris approaches the bandstand of Manhattan’s Jazz Gallery and announces that she will be able to conduct her piece that night. A few days ago it was still uncertain. Weeks earlier, on Christmas Eve, she broke her shoulder, making the arm[...] Read more

Profile Kurt Gottschalk Issue 133

Gong Punks and Culture Bombs Gentle and intense, soothing and exhilarating, traditional Filipino kulintang music provides the kind of richly immersive experience that makes an hour go by in what seems like a minute. The intertwining, hypnotic rhythms of its gongs and drums rise and fall as the players change tempos and[...] Read more

Featured Article Mary Dickie Issue 128

Seth A Smith’s Constant Interruption “I’ve always been a fan of silence. So, when I lost the ability to, you know, experience silence, I started looking at noise as a form of quiet in times when I needed some mental clarity,” reflects multidisciplinary artist Seth A Smith via email. Since 2019, he’s been[...] Read more

Sound Bite Andrew Patterson Issue 144

Jessica Moss Explores the Orchestra Within If there is a through line connecting traditional Eastern European klezmer, indie rock, and experimental drone music, it can be found in the work of Jessica Moss. Whether her music is acoustic or electronic, post-rock or post-classical, a stark and dramatic amplified violin performance or a[...] Read more

Featured Article Mary Dickie Issue 143

Araz Salek, Inquisitive Traditionalist The adage about needing to learn the rules before breaking them is a finger-wag directed at young, ambitious artists, cautioning them not to stray from convention until they’ve reached their coveted but elusive destination: mastery. But could the inverse of that be just as true—[...] Read more

Featured Article Nick Storring Issue 138

SlowPitchSound and the Universe Between the Grooves When it comes to picking the defining factors of a musical practice, some artists view their work as a single, continuous process, homing in on a specific vision and returning to it repeatedly. Others are the opposite—traversing a multitude of styles and sounds as they launch[...] Read more

Featured Article Sara Constant Issue 144

Nate Wooley’s Seven Storey Mountain Jump into an early version of Nate Wooley’s Seven Storey Mountain, and you land in dark and turbulent, almost infernal terrain. Sounds are dense and blur into one another: trumpet amplified to distortion levels; prerecorded tape of unidentifiable noises; dense, rapid drumming of[...] Read more

Featured Article Stuart Broomer Issue 118

Casey Koyczan Resonates the Future In early July 2020 it was my pleasure to interview Tlicho Dene interdisciplinary artist Casey Koyczan. He is extremely generous and open. I have done my best to represent our conversation in order for readers to discover and understand his creative practices. Focusing on the Northwest[...] Read more

Featured Article Mercedes Webb Issue 137

Neither Here Nor There: Musical Identity in the Global Flow It is impossible to stand still nowadays in the face of worldwide security concerns. With climate change, wars, oppressive political climates, and alarming epidemics, the ability to move around physically has become a humanitarian necessity for many. The commodification and hyperrealism of[...] Read more

Featured Article Juro Kim Feliz Issue 136

Vancouver's Intercultural Music Scene Intercultural music-making in British Columbia is nothing new. Gold seekers brought the violin to the province’s north in the 1890s, and their jigs and reels were quickly adapted by the region’s Tahltan musicians into a true hybrid form. In the mid-1960s, Vancouver performers[...] Read more

Featured Article Alexander Varty Issue 121