Featured Articles
Composer Wolf Edwards loads the chamber Wolf Edwards’ various stories are so interesting and so curiously entwined that it’s hard to know where to start. Working in the fish-packing plants of Ucluelet, B.C., the ugly-duckling sibling of Tofino’s trendy swan? Playing guitar on the stage of some black-hole dive[...] Read more
Musicworks' 2017 Summer Festival Preview Some of my most cherished experiences happened at summer music festivals—from scanning the schedules and planning the road trips to meeting new friends and, of course, identifying new musicians and artists. Here at Musicworks, we’re discovering more must-see festivals and events[...] Read more
Alanna Stuart Embraces the Bombast Multidimensional artist and music producer Alanna Stuart is constantly evolving. She regards categories not as borders but as things to be transcended. In her acclaimed duo Bonjay, with Ian “Pho” Swain, as well as her collaborative projects and her solo songwriting, she is[...] Read more
Graham Flett FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Trying to get to the heart of Graham Flett’s musical style is a slippery task. “I have a variable aesthetic,” muses the tall, lean, shaggy-haired composer sitting across from me in a modern[...] Read more
Webber/Morris Big Band On a cold January evening in 2019, Angela Morris approaches the bandstand of Manhattan’s Jazz Gallery and announces that she will be able to conduct her piece that night. A few days ago it was still uncertain. Weeks earlier, on Christmas Eve, she broke her shoulder, making the arm[...] Read more
Divorce Records “It depends on what you call the beginning, I guess,” says Darcy Spidle when probed about the origins of his experimental music label, Divorce Records. “The first thing I did with the label— about fifteen years ago—was to make big posters that said ‘Music[...] Read more
Chloe Alexandra Thompson’s Meaningful Exchanges Chloe Alexandra Thompson has always thought of sound as something visceral. “I think, if I trace it back, my first sound installation happened when I discovered that the fabric in front of loudspeakers could move from the sound vibrations,” she tells me. “I just freaked out[...] Read more
First-place winner, Musicworks’ 2017 Electronic Music Composition contest The glitchy, vaguely dystopian composition constructed from manipulated vocals is almost widespread enough now to warrant its own genre tag. Laurie Anderson is, of course, its foremother. Recent interesting entries include Holly Herndon’s Platform, Katie Gately’s Pipes, and Giant[...] Read more
Bennett Jenisch In addition to having recently won the Musicworks Electronic Music Contest with his first ever acousmatic piece, Buried Gesture, Bennett Jenisch also writes and performs with his live electronic band Moth Vegas. “I would say that probably about half of what I produce is stuff like the[...] Read more
Another Timbre’s Canadian Composers Series “I earn my living as a sound recordist on TV programs,” Simon Reynell relates. “I don’t put creative energies into that, but it’s well paid, so I don’t have to work more than an average of six days a month, which allows me to spend most of my time on the[...] Read more
Musicworks 129 - Winter 2017 BUY THE WINTER 2017 PRINT ISSUE OR THE PRINT+CD ISSUE FROM OUR NEW SHOP! Take a peek at what's between the covers and the tracklist on the CD: ON THE COVER: Geronimo Inutiq The music and media art of Geronimo Inutiq recently[...] Read more
Tenzier: History Outside the Margins “There’s a group of students who used a term I really liked: countermemory,” Tenzier founder Eric Fillion tells me over Skype from Montreal. “I almost like that better than counterculture.” He’s talking about Tenzier, the avant-garde label which has put[...] Read more
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