Featured Articles
Zosha Di Castri is looking for action An eighty-four-foot, mixed-media triptych spans a wall at the Museum of Modern Art in New York. With three huge scrolls, each three feet high, arranged on the wall in three rows, it’s an elaborate montage on a stark, white backdrop. Photographs, texts, drawings, and lithographs make up[...] Read more
Rocío Cano Valiño’s Okno wins first place in Musicworks' 2020 Electronic Music Composition Contest After following the enigmatic whooshes, dangling creaks, and scene-stealing clunks around the evocative sonic space of Okno, I was not surprised to learn that its composer, Rocío Cano Valiño, has a background in interior design—a talent she employs in the various[...] Read more
The Creative Constructions of George Lewis “THIS PIECE HAS A NEW NAME,” ANNOUNCED GEORGE LEWIS, composer, trombonist, writer, and professor, speaking from the stage of the Community Church of New York. “I realized as I got into it that the old name—the name you have in your programs—doesn’t[...] Read more
Jean-Philippe Jullin's Nadir and Diana Lawryshyn's Streams of Consciousness The 2021 Musicworks Electronic Music Composition Contest awarded two artists with honourable mentions: Jean-Philippe Jullin for Nadir and Diana Nadia Lawryshyn for Streams of Consciousness. JEAN-PHILIPPE JULLIN Born in 1995 in Marseille, France, Jean-Philippe[...] Read more
Xylem Records: Building Community for Live Coding The exploratory, collectivist ethos of the U.K. live-coding scene laid the groundwork for Xylem Records, an experimental electronic music netlabel founded by composer and computer scientist Dr. Norah Lorway. Originally from Vancouver, B.C., Lorway moved to the U.K. in 2010 to pursue a Ph.D.[...] Read more
Meet Our 2014 Contest Winners TORONTO, CANADA Montreal composer and sound artist James O’Callaghan’s Bodies-Soundings has won first place in Musicworks’ 2014 Electronic Music Composition contest. “I’m very grateful for [...] Read more
Fresh Moves in Music Therapy One hundred and twenty kids, seated on benches and gym mats, are beaming as they beat out a pulsating rhythm on small percussion instruments. Their ecstatic expressions match that of drummer and occupational therapist Leaf Miller [ABOVE PHOTO, LEFT, working with student at Abilities First[...] Read more
Barry Truax With a friendly disposition and unassuming personality, Barry Truax would hardly be thought of as a trailblazing radical. But this soft-spoken composer and teacher is a groundbreaking Canadian icon. Not only did Truax pioneer granular synthesis with the PODX computer music system, he is viewed[...] Read more
What's Inside Musicworks 136? The Spring 2020 issue is a one-stop, one-of-a-kind sonic journey. Most of the stories were assigned, written, and edited before the lockdown, due to the global COVID-19 health crisis, took hold. Events referred to or advertised in this issue were not yet cancelled at press time but likely[...] Read more
FET.NAT’s Post-Punk Palimpsests Around twenty years ago, a post-punk revival was supposedly upon us. Reissue compilations proliferated alongside a crop of new artists who audibly drew from the genre’s heyday. Where punk-rock wedded a rock ethos with rebellious politics (or sometimes just rebellious posturing), post-punk[...] Read more
Arkora’s Cloud Chamber Arkora, a Toronto-based electric, vocal, chamber consort, includes an eight-voice choir and an accompanying ensemble, with irresistible composer bait—the Lumiphone. A giant, three-octave, thirty-one-tone, equal-tempered (31-TET) glass marimba, the Lumiphone was designed and constructed[...] Read more
João Pedro Oliveira's "La Mer Émeraude" Third place in Musicworks’ 2020 Electronic Music Composition Contest was awarded to João Pedro Oliveira's La Mer Émeraude (The Emerald Sea). The composition has also received awards at SIME Competition, Città di Udine Competition, the Destellos Competition[...] Read more
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