Featured Articles
Anna Höstman Tunes In To Her Roots There’s no place like home. For Anna Höstman, winner of the 2013 Toronto Emerging Composer Award, home is the Bella Coola Valley, a remote wilderness wonderland on British Columbia’s central coast. Its rich cultural history dates back 10,000 years to the Nuxalkmc people (now[...] Read more
Charlie Morrow, Sonic Nomad “My work is what it is and I move in many worlds. I would have nothing except for being carried on the shoulders of friendship and shared interest.” Intrepid sonic investigator Charlie Morrow’s early-’90s Lower East Side event, Urban[...] Read more
Richard Marsella “Good evening and welcome to the Friendly Rich Show. My name is Friendly Rich. Thank you. And I’ll be your loyal host this evening. Behind me, my mystery-meat orchestra, the Lollipop People. No need to clap, kids. Tonight’s show is full of the good stuff. We got dirty crank[...] Read more
Eliot Britton FULL-TEXT AVAILABLE IN PRINT EDITION ONLY By his own account, Eliot Britton’s music treads dangerous territory. “I represent huge problems with art music and the whole idea of art music,” he says, and goes on to describe how in his compositions within the[...] Read more
What's Inside Musicworks 138? The final issue of 2020 is is dedicated to the art of conversation . . . in music and about music. Unable to practice, perform, or listen to music together in person in a room, music friends have been meeting each other in other kinds of venues—including the pages of Musicworks—to[...] Read more
Tomoko Sauvage's Waterbowls Delicate clusters of tones sound and resonate. An orchestration of chimes and drips, they mix to form a potent brew of sullen melodies and serene reverberation. Adrift, immersed, submerged—there are many metaphors one might use to describe a close listening of Clepsydra, the opening[...] Read more
C. Diab’s Cascadian Guitar Music Vancouver-based bowed guitarist Caton Diab (who composes as C. Diab) makes sonorous music that you feel deeply. Primarily crafted on an acoustic guitar with a pickup, effects pedals, a loop station, and bow, Diab’s textured and mournful tones rattle your bones and settle into your heart,[...] Read more
Hyposurface FULL-TEXT AVAILABLE IN PRINT EDITION ONLY On a 2004 visit to the MIT Media Lab, I encountered a small, flat wall with a skin of silver luminescent triangles covering a background of cables and metal frame. My host, the creator of Hyposurface, Mark Goulthorpe (dECOi Architects[...] Read more
Qikiqtaaluk, Nunavut Mount Thor Sometimes the Arctic sun never goes down, never rises. Today though, in the middle of the Akshayuk Pass, I wake up just before the sunrays reach the thin layer of ice on my tent. It is early, dark, and cold. The wind is tirelessly beating against everything that[...] Read more
Barry Truax With a friendly disposition and unassuming personality, Barry Truax would hardly be thought of as a trailblazing radical. But this soft-spoken composer and teacher is a groundbreaking Canadian icon. Not only did Truax pioneer granular synthesis with the PODX computer music system, he is viewed[...] Read more
Bagpipes Blew My Mind My partner Emily and I moved to Glasgow from Toronto a year ago. The first TV shows we saw included a pipe-band championship and a shepherding competition. Both were brilliant to listen to. We thought that’s what TV was going to be here. It isn’t. And aside from the guys on[...] Read more
Juan Camilo Vásquez’ Calíope (canto de las abejas) YOU DON'T HAVE TO KNOW ANYTHING ABOUT MATHEMATICAL HYPERSURFACES or guitar architecture to enjoy the dense sparkle, relentless energy, and intelligent swarm behaviour of Juan Camilo Vásquez’ Calíope (canto de las abejas) for guitar and electronics—but it[...] Read more
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