Featured Articles
The Evolution of The Muted Note The Muted Note is a marriage of music, dance, and poetry—specifically, the poetry of the late Canadian writer P. K. Page. Her work was the unexpected catalyst for the first creative collaboration between Scott Thomson and Susanna Hood, both of whom were long-time linchpins of Toronto[...] Read more
Anna Höstman Tunes In To Her Roots There’s no place like home. For Anna Höstman, winner of the 2013 Toronto Emerging Composer Award, home is the Bella Coola Valley, a remote wilderness wonderland on British Columbia’s central coast. Its rich cultural history dates back 10,000 years to the Nuxalkmc people (now[...] Read more
Epa Fassianos' Chromatocosmos Epa Fassianos' Chromatocosmos won third place in Musicworks’ 2018 Electronic Music Composition Contest, and also won first place in Category A of Musica Nova 2018 (the long-running international electroacoustic music composition competition presented by Society for Electroacoustic[...] Read more
Louis Andriessen brings the noise Louis Andriessen arrived on the international scene with a bang. In 1976 he unleashed De Staat (The Republic) on unsuspecting audiences. The political charge of the composition came from texts of Plato sung by four soprano voices hovering like ethereal apparitions over pounding, iron-fisted[...] Read more
Mark Molnar’s alternative trajectories Harrowingly unbridled and unpredictable, yet blatantly meticulous in their construction, Mark Molnar’s compositions frequently emerge as rugged tangles of bowed-string sonorities. Even though their gestural expressivity might suggest that they could’ve been conceived in myriad[...] Read more
What's Inside Musicworks 130 - Spring 2018 Musicworks turns 40 this year. It’s been quite a journey from the DIY newsprint tabloid published in 1978 to Musicworks 130—our first-ever full-colour issue! Buy the print issue (or print+CD combo) from our shop, or start your subscription today. On the Cover[...] Read more
Nicolas Bernier and Martin Messier “La chambre des machines is a project where two electronic musicians are driven by the desire to be involved, as physically as they can be, in a performance context,” explains Nicolas Bernier, discussing his ongoing collaborative work with Martin Messier. “It’s not a[...] Read more
2018 Spring & Summer Festival Preview The usual anticipation for nice weather has been feeling like more like desperation—a longing for warmth, good vibes, and the freedom to explore everything under the sun. I am planning to fill my[...] Read more
Ashley Au Is Stretching Out Most music fans in Winnipeg have seen plenty of Ashley Au playing bass in recent years in a wide range of idioms—Americana, hip-hop, jazz, and sludge metal. Pausing to tally current projects, Au counts in blinks before saying, “I’m in an open relationship with maybe seven[...] Read more
Wow & Flutter make breathing room The phrase “wow and flutter” typically refers to flawed analog recordings—ones with imperfections that cause the pitch to oscillate, either slowly or quickly. When Toronto-based wind players Bea Labikova, Kayla Milmine, and Sarah Peebles decided to form an improvising trio[...] Read more
Thin Edge New Music Collective Joins the Circus Last year, pianist Cheryl Duvall and violinist Ilana Waniuk joined the circus. This did not involve playing instruments while hanging from a trapeze, but like many big-top acts, it did require a certain amount of risk. [...] Read more
The Material Soundscapes of Roarke Menzies On a Sunday afternoon this past June I visited Outlet Fine Art, one of many independent galleries and performance spaces that have popped up in and around the Brooklyn neighbourhood of Bushwick in recent years. I was there to attend a performance by sound artist Roarke Menzies, the second in[...] Read more
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