Featured Articles

David Berezan's Tongue Drum Third place in the 2021 Musicworks Electronic Music Composition Contest was awarded to U.K.-based composer David Berezan's Tongue Drum.   The piece premiered online in May 2021 at the European Art Science Technology Network for Digital Creativity (EASTN-DC) in Corfu[...] Read more

Featured Article

Paul Walde Subverts Nature as Culture The column of light is beamed directly into the sky. As if intended to summon some celestial visitor, the beam of photons is emitted from a circle of glowing discs, placed in the most unassuming place imaginable—a farmer’s field (don’t ET’s always land there?). This,[...] Read more

Featured Article Jonathan Bunce Issue 109

Milan FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   A sonic spectre is haunting Milan’s music scene. That ghostly presence is Giuseppe Verdi (1813–1901), Italy’s best-known composer of romantic operas, who moved to the city when young, shot to fame with Nabucco in 1842[...] Read more

Sonic Geography Ken Waxman Issue 105

Listening as Territory “I grew up in a tiny village in the North Yorkshire Moors,” explains British sound artist Mark Peter Wright. “I was always outdoors, and I collected anything and everything: stones, feathers, empty shotgun cartridges.” Now in his early thirties and based in London,[...] Read more

Sound Bite Julian Cowley Issue 114

Gayle Young's Gentle Interventions In early October 2021 Gayle Young and I meet in Toronto before heading to her home in Ontario’s Niagara region. The drive is less than two hours, yet somehow, our destination is so much further away. The spaces between buildings grow wider as do those between the little squares of light in[...] Read more

Featured Article Sarah Albu Issue 142

What's Inside Musicworks 141? The Winter 2021/22 issue explores the creative ideas of seven artists who are engaged in beautiful, daring musical acts of innovation, celebration, and resistance . . . artists that audiences and listeners like YOU will be discovering in 2022.   Flute enthusiasts, please note that[...] Read more

Featured Article Issue 141

Fuhong Shi Closes the Distance If Canada has any meaning to most Chinese, it is likely through a widely read essay written by the late Chairman Mao in praise of Dr. Norman Bethune, the Montreal doctor who ministered to Mao’s suffering soldiers during the Long March of the late 1930s.   Musically,[...] Read more

Sound Bite William Littler Issue 117

MUSICWORKS UNVEILS 2016 CONTEST WINNERS MUSICWORKS UNVEILS 2016 CONTEST WINNERS   Vancouver musician Craig Aalders and B.C. poet Tom Wayman win top marks in Musicworks’ 2016 Electronic Music Composition and Sonic Geography Writing Contests   For the first time in Musicworks contest[...] Read more

Sound Notes

Gong Punks and Culture Bombs Gentle and intense, soothing and exhilarating, traditional Filipino kulintang music provides the kind of richly immersive experience that makes an hour go by in what seems like a minute. The intertwining, hypnotic rhythms of its gongs and drums rise and fall as the players change tempos and[...] Read more

Featured Article Mary Dickie Issue 128

Silent Season: Intrinsically Connected to Nature While living in Union Bay in 2007, Jamie McCue spent his downtime hiking, camping, and fishing in Vancouver Island’s abundant forests and rivers. Deeply moved by the symphonic rhythms of wildlife, blowing winds, and flowing water, he imagined meditative soundtracks that complemented his[...] Read more

Sound Notes Leslie Ken Chu Issue 139

Jessica McMann Brings the Music Home While some creative people have been struggling to fill their time over the course of the pandemic, Cree dancer and musician Jessica McMann, who is a member of Cowessess First Nation in Saskatchewan—has been busy. But with powwows and in-person contemporary dance performances on pause[...] Read more

Sound Bite Elizabeth Chorney-Booth Issue 141

Raven Chacon's Harmonious Language “I loved the Beatles so much that I totally exhausted listening to their music. I wanted more.” For Raven Chacon, the answer was easy. “I recorded all of their albums on cassette, then took the tape out of the shell and flipped it so I could have all the albums in reverse.[...] Read more

Sound Bite Ian Crutchley Issue 132