DEBBY FRIDAY’S ENERGY POTENTIAL Across the first few minutes of Bare Bones, the short-film debut by Vancouver artist Debby Friday, a growing, skittering sound unsettles an otherwise pastoral scene. In the film, Friday, a splash of presence in a white tulle dress, kneels riverside amid a verdant landscape. This moment might[...] Read more

Featured Article Brennan McCracken Issue 138

The Mystical Instruments of Walter Smetak In March 2014, I found myself facing the late Walter Smetak’s Pindorama, a seven-foot-two-inch-tall instrument installation comprising seven calabash gourds arranged in a diamond-like formation and resting on a bamboo pedestal. Dozens of clear plastic tubes with flute mouthpieces fixed[...] Read more

Featured Article Neil Leonard Issue 121

Tanya Tagaq Grabs The World By The Throat Watching Tanya Tagaq perform is more than just an auditory and visual experience: it’s physical. As the Nunavut-born, Manitoba-based throat singer moves around a stage, she unleashes something fierce and powerful that comes from deep within her body, yet seems positively unearthly. She[...] Read more

Featured Article Mary Dickie Issue 118

Camino De Santiago De Compostela FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   In the spring of 2010 we undertook a walk to Santiago de Compostela in northwestern Spain, a pilgrimage site since the Middle Ages. It’s the traditional burial site of Santiago, or St. James, one of Christ’s apostles who[...] Read more

Sonic Geography Stuart and Cherie Broomer Issue 109

Terri Hron joins the flock The slight, bright-eyed woman comfortably seated in her sunny Montreal studio is known as a musical beast. Hard to imagine. But the epithet is just one of several that contemporary recorder player and composer Terri Hron has earned—not on the expected grounds of virtuosity, but rather[...] Read more

Sound Bite Jason van Eyk Issue 110

Rebecca Bruton Lets The World In Rebecca Bruton describes her work as an “understated, Surrealist folk music”—music that’s experimental but also simple, with a sensuousness and a weirdness to it. “Music that makes sense,” she says, “but you’re not sure why.”[...] Read more

In the Works Sara Constant Issue 129

Announcing the Winners of the 2022 Musicworks Electronic Music Composition Contest TORONTO, CANADA, April 20, 2023: Musicworks is thrilled to announce the winners of the 2022 Musicworks Electronic Music Composition Contest.   American composer, sound artist, and educator Leah Reid (left) has won first prize with her composition Reverie. “I am[...] Read more

Sound Notes STAFF

The Glittery World of Olivia Shortt Olivia Shortt may not be a household name, but anyone who’s caught one of their eccentric stage performances—either solo or in avant-garde ensembles—has probably not forgotten them. Over the past few years, Shortt has built an enviable résumé. They made their[...] Read more

Featured Article Chaka V. Grier Issue 138

Buffy Sainte-Marie reflects on Illuminations “God is alive / Magic is afoot / Alive is afoot / Magic never died.”   Those words, written by Leonard Cohen and sung by Buffy Sainte-Marie, open a doorway into the mystical world of Illuminations—one of the most musically beguiling, technologically[...] Read more

Featured Article Jesse Locke Issue 135