Erdem Helvacioglu FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   When you’re caught up in the thick of it, all those cute, clichéd little epithets about turning life’s lemons into lemonade, spinning grave fuck-ups into rapturous inspiration, and the like, hardly seem to hold any[...] Read more

Featured Article Nick Storring Issue 115

Anoush Moazzeni Weaves a New Narrative In Anoush Moazzeni’s The drops of the rain become one with me, small mechanisms move inside and above an open grand piano. Wooden structures glide across the piano strings of their own accord, hammering and pressing the instrument with mallets, while microphones pick up sounds that are[...] Read more

Featured Article Sara Constant Issue 138

Suddenly Listen Expands its Chamber Space Trust. Vulnerability. Flexibility. Holistic listening. Non-hierarchical cooperation. Embrace of the unknown. Sense of adventure. These are some of the themes that arise when considering improvised music. If you have ever attended a concert of free-improvised music, you might have experienced[...] Read more

Featured Article Monica Pearce Issue 138

Sam Shalabi and the Evolution of a Global Aesthetic Sam Shalabi’s insightful musical take on the world can provoke both discomfort and laughter. On his numerous solo albums, he meshes guitar, oud, and field recordings into an electroacoustic collage. He leads a wide variety of small and midsize groups that encompass a who’s who of[...] Read more

Featured Article Lawrence Joseph Issue 130

Sarah Davachi flies into psychoacoustic space One could say that Sarah Davachi’s drone-based music is all about meditative states, or texture, or duration. But more than anything else, it’s about balance—between the theoretical and the practical, the material and the cerebral, the antique and the avant-garde, the[...] Read more

Sound Bite Alexander Varty Issue 122

SlowPitchSound and the Universe Between the Grooves When it comes to picking the defining factors of a musical practice, some artists view their work as a single, continuous process, homing in on a specific vision and returning to it repeatedly. Others are the opposite—traversing a multitude of styles and sounds as they launch[...] Read more

Featured Article Sara Constant Issue 144

STEIM FULL-TEXT AVAILABLE IN PRINT EDITION ONLY     Maybe someone would have been able to guess what I was getting myself into when I left for STEIM in The Netherlands. After all, there was a pretty clear sign. All passengers had boarded the plane, and we all were eager to get to our[...] Read more

Featured Article Glen Hall Issue 109

Patricia Martinez: Del cuadro a la postergación Listen to Del cuadro a la postergación (1994, acousmatic, stereo) Composed by Patricia Martinez   Composer notes   Del cuadro a la postergación was part of the diptych Espejos de tiempo  / Mirrors of time.[...] Read more

Sound Notes STAFF

Eldad Tsabary FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   Israeli-Canadian composer Eldad Tsabary is omnivorous when it comes to digesting various influences, both musical and otherwise. With strong ties to Montreal’s electroacoustic scene, and as a lecturer in Concordia University[...] Read more

In the Works Nick Storring Issue 108

What's Inside Musicworks 139?   ON THE COVER: Evensong (2018) by Lou Sheppard, who recently made the 2021 long list for the prestigious Sobey Art Award. Congratulations Lou! This issue contains a special 30-page section that explores climate emergency through the stories of nine sound and music[...] Read more

Featured Article Issue 139