Featured Articles
Jean Derome’s Reflections of Joy Over the past four decades, Jean Derome’s musical interests have spanned everything from standards to skronk. He has composed graphic scores for large ensembles, created multimedia works for string quartets, and devised music for dance, theatre, and cinema works. But what Derome is[...] Read more
The Astral Excursions of John Mills-Cockell The imagination of electronic composer John Mills-Cockell exists in a liminal space. His music, with its neon-pastoral glow, feels neither jarringly futuristic nor soothingly nostalgic. Nevertheless, as the very first Canadian owner of a Moog synthesizer (purchased the same day Wendy Carlos[...] Read more
2023 Musicworks Electronic Music Composition Contest For immediate release: Toronto, Canada, August 1, 2023 — The thirteenth annual Musicworks Electronic Music Composition Contest opens August 1, 2023. We invite you to share the news with your readers, audiences, and communities. [...] Read more
Victoria Composers Cultivate a Place to Listen Why has a vibrant community of emerging composers chosen British Columbia’s cozy, scenic capital over more bustling contemporary-music hubs? THERE'S A DEEP HUSH in the church where I am sitting and nervously listening to an especially slow and fragile performance of[...] Read more
What's Inside Musicworks 131 - Fall 2018 Musicworks 131 is the second issue of our 40th anniversary year, featuring artists who are active in interarts, DIY culture, collaborative composing, and more! Buy the print issue (or print + CD combo!) from our shop or start your subscription with the Fall 2018 issue. ON THE COVER[...] Read more
A Walk in the Barrios Buenos Aires, also known as Capital Federal, is the largest city in Argentina, with a population of three million—thirteen million including the greater urban area. The city is located on the western shore of Rio de la Plata (River of Silver), the widest estuary in the world, which[...] Read more
Suddenly Listen Expands its Chamber Space Trust. Vulnerability. Flexibility. Holistic listening. Non-hierarchical cooperation. Embrace of the unknown. Sense of adventure. These are some of the themes that arise when considering improvised music. If you have ever attended a concert of free-improvised music, you might have experienced[...] Read more
Adam Basanta “I’ve always been interested in perception and apperception,” writes Montreal-based composer Adam Basanta in a recent e-mail correspondence. “This has led me, as a musician and composer, to centre my work on listening as a perceptual and psychological experience.[...] Read more
crys cole amplifies personal space I first saw crys cole perform in a tiny gallery in Winnipeg’s Chinatown. Seated with a contact mike, a pane of glass, and little else, cole reflected the minimalism of her setup in quiet soundscapes and restrained gestures. Immediately, she had the room under her command. There was a[...] Read more
What's Inside Musicworks 137? The Fall 2020 issue comes preloaded with guitars. Hollow, heavy, bowed, cracked, pedalled, flung. Trusty companions. Feedback demons. Easy to pick up, hard to put down . . . just like every issue of Musicworks! BUY THE FALL 2020 ISSUE FROM OUR SHOP OR SAVE 50% OFF THE COVER PRICE WITH A[...] Read more
The Avian is the Message Songbirds have a secret language. This is something I did not fully appreciate until recently, when I became immersed in their world. What may be music to our ears is bird-speak—a mating call, an aural fence, or simple prattle to stay in touch. There are people who can understand bird[...] Read more
Bennett Jenisch In addition to having recently won the Musicworks Electronic Music Contest with his first ever acousmatic piece, Buried Gesture, Bennett Jenisch also writes and performs with his live electronic band Moth Vegas. “I would say that probably about half of what I produce is stuff like the[...] Read more
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