Reviews
Sarah Albu and Vergil Sharkya'. Intoxidation. Experimental vocalist Sarah Albu and composer and sound-artist Vergil Sharkya' have come together to create a radiant sonic force. The duo’s first release, the eight-track digital-only issue Intoxidation, is full of the type of unabashed raucousness that involuntarily elicits[...] Read more
Yves Charuest. Le Territoire de l’anche. Yves Charuest is a distinguished alto saxophonist with deep roots in improvised music, including five years spent in German bassist Peter Kowald’s trio and decades of collaboration with fellow Québécois musicians. On Le Territoire de l’anche (territory of the[...] Read more
Jordan Nobles. Chiaroscuro. When our ancient ancestors gazed up at the tiny dots of light illuminated against the inky black darkness of the night sky, they were captivated by the mysterious and beautiful spectacle displayed before them. The award-winning Vancouver composer Jordan Nobles clearly shares this[...] Read more
New Hermitage. Unearth. Unearth is a fitting title for the fifth full-length release from the Halifax- and Montreal-based improvisational quartet New Hermitage: spectral yet grounded, these recordings capture a group of musicians committed to the perception-shifting possibilities of close attention. The four[...] Read more
Witch Prophet. DNA Activation. Witch Prophet is a fitting name for Ayo Leilani, whose enchanting, bold, and malleable vocals, hypnotic rhythms, and profound lyrical wisdom conjure powerful stories. Her latest release, DNA Activation, both lives up to and expands on the achievement of her stunning 2018 solo debut, The Golden[...] Read more
Hope Lee. Across the Veiled Distances. Covering almost four decades of Hope Lee’s writing for the piano, Across the Veiled Distances encompasses a wide musical investigation in a retrospective album of her evolving relationship to the instrument. Through five works, Lee layers foreground and background piano gestures, balancing[...] Read more
ITACA 4et. Vortex. Reflecting the breezy looseness of Vancouver, the city in which it was recorded, Vortex by the ITACA 4et moves with the lightness and ebullience of cool West Coast jazz, with jagged sonic shoals just beneath the surface. Formed in 2016, ITACA 4et comprises two Canadians, clarinetist Fran[...] Read more
Women from Space Festival. Music always comes from somewhere—some particular where. And the most particular place is identity. The name that Bea Labikova and Kayla Milmine chose for their newly founded festival, Women from Space, simultaneously denotes the first place and the furthest: woman, space—the one[...] Read more
Pantayo. Pantayo. Pantayo is five Toronto-based women who bring ancient Philippine kulintang music and modern Western pop styles together in a fascinating, startling, and exciting new hybrid. The band members—Eirene Cloma, Michelle Cruz, Joanna Delos Reyes, and sisters Kat and Katrina[...] Read more
Mark Segger Sextet. Lift Off. Lift Off is a collection of eight compositions by drummer Mark Segger, recorded by his sextet with trumpeter Jim Lewis, trombonist Heather Saumer, reed-player Peter Lutek (tenor saxophone and clarinet), keyboardist Tania Gill (piano and melodica), and bassist Rob Clutton. Recorded in Toronto[...] Read more
Joyfultalk. A Separation of Being. From the musical mind of Nova Scotia-based Jay Crocker (aka Joyfultalk), A Separation of Being is a colourful, sophisticated, tripartite composition rooted in his unique brand of minimalism. The album’s incredibly striking artwork is based on Crocker’s own system for visualized[...] Read more
Aquakultre. Legacy. Black Buffalo Records. The dazzling debut album from Halifax hip-hop–neo-soul outfit Aquakultre is both the product of personal redemption and a promise to build a better world. In 2013, at age nineteen, Lance Sampson was convicted of drug trafficking. While serving a five-year sentence at[...] Read more
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