Featured Articles
Plumes Deconstructs Grimes Many Visions: Plumes Deconstructs the Music of Grimes is a genre-spanning music collaboration that seeks to explore and ultimately blur the lines between classical and pop. Thirteen contemporary classical composers have been asked to reimagine and rework the thirteen tracks on Grimes’[...] Read more
Eve Egoyan and David Rokeby's Surface Tension Surface Tension is a thirty-five-minute collaborative interarts work that the two of us (pianist Eve Egoyan and installation artist David Rokeby) created for Disklavier piano and interactive video. The piece explores the relationship between what we do separately in our respective[...] Read more
Chiyoko Szlavnics draws the ear towards infinity “I keep coming back to light on water,” says Chiyoko Szlavnics, explaining her interest in beating, that intriguing fluttering effect that arises when sound waves of slightly differing frequencies coincide. “It’s a very similar kind of synaptic experience—for me[...] Read more
The Apperceptive Musical Adventures of Taylor Brook Canadian composer Taylor Brook—whose music can strike an unusual balance between challenge and charm, sometimes with an astonishing delicacy—had been based since 2011 in New York City, where he was first a doctoral student and then a lecturer at Columbia University, all the while[...] Read more
The Musical Lightness of Éric Normand The world of improvised music has spawned a core of musician–organizers who have built scenes and networks and record labels to support and extend the music. Few, however, have achieved what Éric Normand has, creating a hotbed of free improvisation in the relatively isolated[...] Read more
What's Inside Musicworks 140? The Fall 2021 issue connects you to music artists of distinctive styles and from distant places with expertly crafted words and carefully chosen images. It is accompanied by a CD of deeply felt, hand-blown music, enhanced with chiselled edges and unusual colours. IF YOU ARE A[...] Read more
Richard Windeyer FULL-TEXT AVAILABLE IN PRINT EDITION ONLY Sitting behind his drum kit and laptop, Richard Windeyer manages the energy of the dance floor, while his colleague Sabrina Reeves emcees the evening’s events. A slow folk ballad suddenly ramps up to 120 bpm; the room pauses for[...] Read more
The Ratchet Orchestra In 1961, a virtually unknown African-American band was stranded in Montreal before going on to more promising territory. During their months in Montreal they would build up a local following, mostly musicians, who could hear that something different was going on. It’s a slight and[...] Read more
Jean-Philippe Jullin's Nadir and Diana Lawryshyn's Streams of Consciousness The 2021 Musicworks Electronic Music Composition Contest awarded two artists with honourable mentions: Jean-Philippe Jullin for Nadir and Diana Nadia Lawryshyn for Streams of Consciousness. JEAN-PHILIPPE JULLIN Born in 1995 in Marseille, France, Jean-Philippe[...] Read more
Nicole Lizée invites us to hear things her way Nicole Lizée is a huge fan of Alfred Hitchcock, science-fiction films, and Lars von Trier, the maverick Danish director whose Dogme (dogma), about film, inspires her own reflection on how to compose music. She says composers should be just as bold and inventive about creating music as von[...] Read more
New Frequencies This issue of Musicworks comes preloaded with guitars. Hollow, heavy, bowed, cracked, pedalled, flung. Trusty companions. Feedback demons. Easy to pick up, hard to put down. While I do not declare this as The Guitar Issue, I do aver that the guitar informed my aleatoric curatorial process[...] Read more
Thierry Gauthier FULL-TEXT AVAILABLE IN PRINT EDITION ONLY “My artistic evolution,” Thierry Gauthier writes, “has been characterized by the intensity of impulse, immediacy, and the urgency to create; the quest for a paroxysm and the absolute; the same sense of urgency as[...] Read more
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