Greg J. Smith

Artificiel’s "Three Pieces With Titles" “I had never seen such new things before. I didn’t even know what a new object could be,” the poet and art critic André Salmon wrote, after visiting the studio of Pablo Picasso in the spring of 1914. Of particular interest to Salmon was Guitar, a wall-mounted 3-D[...] Read more

Visions of sound Greg J. Smith Issue 128

The Sound Future of Virtual Reality I HEAR A PERCUSSIVE THUD. SOMETHING IS HITTING THE FLOOR IN FRONT OF ME REPEATEDLY. It’s reverberating (I’m in a large room, I guess) and the rhythm is punctuated by frenzied bursts of high-pitched squeaks nearby. In the distance, I hear shuffling and the murmur of voices[...] Read more

Featured Article Greg J. Smith Issue 126

Dasha Rush: Dark Hearts of Space The prospects are grim for a person who has fallen into a black hole. The gravitational forces exerted by these mysterious regions of space are so strong that nothing—not even light—can escape, once it passes a certain proximity threshold. From a safe distance, the unlucky soul[...] Read more

Visions of sound Greg J. Smith Issue 125

The Retro Aesthetic of Le Révélateur THE OCEAN RECEDES INTO THE DISTANCE, awash in thick bands of golden-purple sunset hues. Its surface ripples in loose synchronization with a burbling synthesizer score. Suddenly, a shimmering plane materializes and obliquely bisects the scene; the plane spins and the textures of the two[...] Read more

Visions of sound Greg J. Smith Issue 123