Featured Articles

Graham Flett FULL-TEXT AVAILABLE IN PRINT EDITION ONLY    Trying to get to the heart of Graham Flett’s musical style is a slippery task.   “I have a variable aesthetic,” muses the tall, lean, shaggy-haired composer sitting across from me in a modern[...] Read more

Sound Bite Jason van Eyk Issue 108

Hans-Joachim Roedelius floats against the current On an unseasonably warm night in October, Toronto’s Monarch Tavern was packed to the rafters for a living legend. German electronic and ambient music pioneer Hans-Joachim Roedelius—best known as a cofounder of 1970s experimental groups Cluster and Harmonia, renowned for their[...] Read more

Featured Article Jesse Locke Issue 129

James Rolfe FULL-TEXT AVAILABLE IN PRINT EDITION ONLY. I first met James Rolfe nearly twenty years ago, when we were finalists in the 1990 edition of the CBC National Radio Competition for Young Composers. As a frequent visitor to Rolfe’s Toronto apartment at that time, I was afforded an insider[...] Read more

Featured Article Chris Paul Harman Issue 105

Jairus Sharif and the Expression of Truth Jairus Sharif believes in the transformative power of music. On his debut album, Water & Tools, the thirty-three-year-old multi-instrumentalist constructs dense, impassioned improvisations that fuse the murky beatscapes of underground hip-hop with the scorching intensity of free jazz.[...] Read more

Sound Bite Jesse Locke Issue 144

Philip Glass Most people get presents or have parties thrown for them on special occasions. Philip Glass, however, was in more of a giving mood as he celebrated his seventy-fifth birthday at the end of January. The candles on his cake marked the start of a remarkable year that has the American composer[...] Read more

Featured Article John Terauds Issue 112

Jessie Lausé's Movements Jessie Lausé wins second place in the 2021 Musicworks Electronic Music Composition Contest for Movements, a three-movement work for eight-channel mixed media.    “[Movements] explores the melodic and registral capabilities of modified human and spatial[...] Read more

Featured Article

Demian Rudel Rey’s "Theophilus" Argentinian composer and guitarist Demian Rudel Rey has received numerous awards and honorable mentions in various national and international composition compstitions, and his pieces have been selected and programmed at prestigious festivals across Europe and the Americas.[...] Read more

Sound Notes STAFF

Meet Our 2014 Contest Winners TORONTO, CANADA     Montreal composer and sound artist James O’Callaghan’s Bodies-Soundings has won first place in Musicworks’ 2014 Electronic Music Composition contest.   “I’m very grateful for [...] Read more

Sound Notes

Fuhong Shi Closes the Distance If Canada has any meaning to most Chinese, it is likely through a widely read essay written by the late Chairman Mao in praise of Dr. Norman Bethune, the Montreal doctor who ministered to Mao’s suffering soldiers during the Long March of the late 1930s.   Musically,[...] Read more

Sound Bite William Littler Issue 117

music, interrupted A barrage of media releases announcing the cancellation or postponement of concerts and festivals—in my hometown of Toronto, in music hubs across Canada and beyond—began hitting my inbox with increasing intensity the second week of March. Like many who actively follow, attend,[...] Read more

Editorial Jennie Punter Issue 136

Jennifer Walshe Spins a Fine Tale The centenary of Dadaism is only three short years away, but there’s still time for curators and arts organizations across the world to program fitting tributes to the full multiplicity of artists involved in the movement. Irish radio, for example, will be honouring Dublin[...] Read more

Profile Louise Gray Issue 116

Debashis Sinha “La montaña. El cuervo. Cada mota de polvo elevada por mis pasos alberga incontables palabras,” intones the deeply resonant voice, as the rhythmic sound of footsteps fades up and a single gong-stroke repeats slowly.   This is Kailash, a radiophonic work by[...] Read more

In the Works Micheline Roi Issue 106