Featured Articles

SlowPitchSound and the Universe Between the Grooves When it comes to picking the defining factors of a musical practice, some artists view their work as a single, continuous process, homing in on a specific vision and returning to it repeatedly. Others are the opposite—traversing a multitude of styles and sounds as they launch[...] Read more

Featured Article Sara Constant Issue 144

The Evolution of The Muted Note The Muted Note is a marriage of music, dance, and poetry—specifically, the poetry of the late Canadian writer P. K. Page. Her work was the unexpected catalyst for the first creative collaboration between Scott Thomson and Susanna Hood, both of whom were long-time linchpins of Toronto[...] Read more

Featured Article Jonathan Bunce Issue 120

Graham Flett FULL-TEXT AVAILABLE IN PRINT EDITION ONLY    Trying to get to the heart of Graham Flett’s musical style is a slippery task.   “I have a variable aesthetic,” muses the tall, lean, shaggy-haired composer sitting across from me in a modern[...] Read more

Sound Bite Jason van Eyk Issue 108

The Ring Road, Iceland FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   It’s not often in a lifetime that you get to circumnavigate an entire country. And it’s not often that you come across an entire country that’s a small island whose most remarkable work of public infrastructure is a two-[...] Read more

Sonic Geography Jonathan Bunce Issue 115

Label Profile: Redshift Records We won’t go into the details—because, frankly, we don’t understand them—but in astronomy a redshift is a way to measure an object’s placement in space, and its movement vis-à-vis the earth.   “It’s like the Doppler effect, but[...] Read more

Sound Notes Alexander Varty Issue 130

Trase Pa: Choreographing the Soundworld of David Bontemps’s Traces In most cultures there has always been a synergetic interplay between music and dance—one informing and amplifying the other. Music exemplifies the physicality and rhythmicity that exists in a dancing body. The synergy of dance and music is a repertoire of invitations to the spaces in[...] Read more

Sound Notes Kevin A. Ormsby Issue 138

Cassandra Miller's Unclassifiable Concert Music If you had just commissioned Cassandra Miller to write a new piece of music for you, she might get the ball rolling by chuckling and then asking you, “What do you sing when you’re in the shower? What was your favourite song as a kid? What would you be if you weren’t a musician[...] Read more

Featured Article Richard Simas Issue 113

What's Inside Musicworks 149? ON THE COVER Brendan Grey and the Evolving Ethos of Super Duty Tough Work  As Winnipeg hip-hop ensemble Super Duty Tough Work (SDTW) hits the ten-year mark, founder and MC Brendan Grey, sits down with writer Abiola Regan to talk about tapping in to his family’s[...] Read more

Featured Article STAFF Issue 149

Casey Koyczan Resonates the Future In early July 2020 it was my pleasure to interview Tlicho Dene interdisciplinary artist Casey Koyczan. He is extremely generous and open. I have done my best to represent our conversation in order for readers to discover and understand his creative practices. Focusing on the Northwest[...] Read more

Featured Article Mercedes Webb Issue 137

What's inside Musicworks 134? The artists in the Fall 2019 issue expand their perspectives through innovative collaborations and combos—they just can’t get enough! Order Musicworks 134 now.     Ana Sokolović  Serbian-born Canadian composer Ana Sokolović's fantastical,[...] Read more

Featured Article Issue 134

Simon Cacheux's InnerSelf   Simon Cacheux works as a musician, sound designer, and sound artist. He is interested in the texture of sounds, how they blend with each other, and in the microfictions that occur within the sounds themselves. His work leans towards minimalism—in particular drones,[...] Read more

Sound Bite

Lina Allemano is Splitting Time If Toronto’s avant-jazz and free-improv community has a living room, it’s the Southern Cross Lounge, the front room of the Tranzac Club—a cluttered bandstand with an ancient upright, a friendly bar in the back corner, a familiar audience—where drummer Nick Fraser[...] Read more

Profile Stuart Broomer Issue 132