Featured Articles
Tomoko Sauvage's Waterbowls Delicate clusters of tones sound and resonate. An orchestration of chimes and drips, they mix to form a potent brew of sullen melodies and serene reverberation. Adrift, immersed, submerged—there are many metaphors one might use to describe a close listening of Clepsydra, the opening[...] Read more
Musicworks 129 - Winter 2017 BUY THE WINTER 2017 PRINT ISSUE OR THE PRINT+CD ISSUE FROM OUR NEW SHOP! Take a peek at what's between the covers and the tracklist on the CD: ON THE COVER: Geronimo Inutiq The music and media art of Geronimo Inutiq recently[...] Read more
Musicworks Announces 2020 Electronic Music Composition Contest Winners TORONTO, CANADA, August 30, 2021. For immediate release: After a four-month delay due to challenges presented by the coronavirus pandemic, Musicworks is thrilled to announce the winners of its 2020 Electronic Music Composition Contest. We thank the 2020 entrants for their patience.[...] Read more
Bennett Jenisch In addition to having recently won the Musicworks Electronic Music Contest with his first ever acousmatic piece, Buried Gesture, Bennett Jenisch also writes and performs with his live electronic band Moth Vegas. “I would say that probably about half of what I produce is stuff like the[...] Read more
Curtis Running Rabbit-Lefthand Ignites the Rhythm of the People Blackfoot Confederacy member Curtis Running Rabbit-Lefthand is the founder and executive artistic director of Indigenous Resilience in Music (IRIM), a collective that supports Indigenous musicians and youth in their learning, performing, recording, and collaborating. The group’s[...] Read more
SlowPitchSound and the Universe Between the Grooves When it comes to picking the defining factors of a musical practice, some artists view their work as a single, continuous process, homing in on a specific vision and returning to it repeatedly. Others are the opposite—traversing a multitude of styles and sounds as they launch[...] Read more
The Blessed Riders of Streetcars in Vienna Streetcars in Vienna are blessedly quiet. The machines—brand new, high-tech plastic platforms—announce themselves on approach with only a slight electric hum. I now react to their high pitch with the same short sprints I used to make to catch the lumbering College streetcar in[...] Read more
Bug Incision: Calgary’s Cross-Pollination Buzz The world of free improvisation is like a parallel universe, a global underground community of nonidiomatic soundmakers, recording with each other in every imaginable permutation, connected via a proliferation of text- and link-heavy Web 1.0 sites, DIY venues, and CD-R labels, with a[...] Read more
Hans-Joachim Roedelius floats against the current On an unseasonably warm night in October, Toronto’s Monarch Tavern was packed to the rafters for a living legend. German electronic and ambient music pioneer Hans-Joachim Roedelius—best known as a cofounder of 1970s experimental groups Cluster and Harmonia, renowned for their[...] Read more
Listening Conditions We tend to think of an emergency as something sudden—the kind of jarring, life-and-death situation that leaps out at us with abrupt urgency. And when we think about what an emergency sounds like, that assumption is often fresh in our minds: sirens, clatter—noises sharp and loud[...] Read more
New Age Doom Steps Forward The day of my interview with the Vancouver experimental-metal duo New Age Doom began with the heart-sinking news that legendary dub artist Lee “Scratch” Perry had passed away. After making my way through the winding side streets of Vancouver’s Downtown Eastside, I arrived[...] Read more
New Frequencies This issue of Musicworks comes preloaded with guitars. Hollow, heavy, bowed, cracked, pedalled, flung. Trusty companions. Feedback demons. Easy to pick up, hard to put down. While I do not declare this as The Guitar Issue, I do aver that the guitar informed my aleatoric curatorial process[...] Read more
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