Concerts and Events
Vancouver New Music Festival: Quartetti—A festival of string quartets. This year’s Vancouver New Music annual fall festival was devoted to string quartets. At Quartetti, which ran for three days at the Orpheum Annex in downtown Vancouver, audiences were treated to diverse performances of a wide array of pieces from Black Dog String Quartet (Vancouver),[...] Read more
2018 Guelph Jazz Festival. “I’d rather be a human being / than to be avant-garde,” intones William Parker towards the conclusion of his solo bass performance at the 2018 Guelph Jazz Festival. Fittingly, the performance of his piece—which is excerpted and adapted from Flower In A Stained-Glass[...] Read more
Sound Symposium XIX. The nineteenth iteration of the biennial Sound Symposium was distinguished by its colloquium, new awards, and of course, world premieres of risk-taking works. The event opened with the Indigenous Improvisation Colloquium: Freedom and Responsibility; and heritage ceremony and cultural[...] Read more
Suoni per il Popolo Festival: 18th Edition Like the accordion played in the large improvising ensemble GGRIL, this year’s Suoni per il Popolo expanded in some dimensions and contracted in others, while continuously bellowing out fascinating sounds. Some years the festival has unfolded over a full month, but the 2018 edition ran[...] Read more
Open Ears Festival of Music and Sound. Kitchener, Ontario. At Open Ears, auditory circuitry is rewired over five days, with all senses fired up, as festival-goers embark on a sonic quest. The 2018 edition featured the gonzo music of Frank Zappa, an electrifying Nicole Lizée world premiere, and a jaw-dropping percussion solo. [...] Read more
Festival de International Musique Actuelle de Victoriaville, 34th Edition. As spring erupts in the Centre-du-Québec region, so too does FIMAV, the festival of exploratory music that’s been running since 1984. “Eclectic” barely describes the four-day event. Its scope ranges from near-silent to deafening, from the ineffable to the ridiculous[...] Read more
Les Transformables (V). The opening night of the sound-art exhibition Les Transformables (V) featured two live performances. Adorned with a sound-generating mask, Diana Burgoyne was a constant, awesome presence as she marched mechanically throughout the space. Alexandre St-Onge, meanwhile, was in constant motion[...] Read more
Listening To Art, Seeing Music. Listening To Art, Seeing Music, described in the media materials as a “multi-sensory journey of discovery,” and launched in early 2018 at Toronto’s Aga Khan Museum, encompasses about a dozen installations dotted around the museum within its permanent collection, in its[...] Read more
Julius Eastman: That Which Is Fundamental. At the end of February, publisher G. Schirmer, Inc. announced that it had acquired the catalogue of Julius Eastman and would be restoring, publishing, and promoting his works, putting the composer among the ranks of Tan Dun, Terry Riley, Kaaija Saariaho, Anna Thorvaldsdottir, and Tom Waits.[...] Read more
Sam Shalabi’s Land of Kush. Sand Enigma. Sam Shalabi’s musical worlds are a collision of the Montreal Mile End art–noise–rock–improv scene and the bona fide craziness of Cairo—a city where societal and political instability weaves a shifting sand of death and beauty. It’s easy to see how the[...] Read more
send+receive: a festival of sound, v.19 For a festival of any stripe to last until its nineteenth edition suggests a deep commitment by its organizers to maintaining the attention of their audience. crys cole, director of send+receive, builds the festival around a different theme every year, going with “outside of the box[...] Read more
ISCM World New Music Days 2017 Let’s get the complaints out of the way first, shall we? An awful lot of take-out sushi was eaten during the International Society for Contemporary Music’s annual festival, held this year in Vancouver. With up to five official concerts a day, plus secret showcases not[...] Read more
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