Lawrence Joseph

Maurice Louca. Saet El-Hazz (The Luck Hour) Some of the most mind-bending and genre-blending music is emerging from the fertile underground scene of Cairo, Egypt. Maurice Louca is a founding member of the Dwarfs of East Agouza trio with Alan Bishop of Sun City Girls fame and Montreal’s Sam Shalabi, as well as other Cairo-based[...] Read more

Recordings Lawrence Joseph Issue 140

John Oliver. Isolation Journals. Vancouver’s multifaceted John Oliver is a renowned composer and guitarist with vast experience—from opera to electroacoustic music. With COVID-19 restrictions limiting live performance opportunities over the past many months, it has been fascinating to observe the multitude of[...] Read more

Recordings Lawrence Joseph Issue 140

Anna Webber. Idiom. Born in British Columbia, trained at McGill University, and living in New York since 2008, flutist, saxophonist, and composer Anna Webber is one of the most critically acclaimed forces in new music today. This latest double CD release reveals that her musical language easily matches her past[...] Read more

Recordings Lawrence Joseph Issue 140

heArt Ensemble. From the Basement The historical importance of the Quatuor de jazz libre du Québec has been well recognized. Recent book (Eric Filion’s Jazz libre et la revolution québécoise, M Éditeur) and archival CD (Jazz libre du Québec: musique-politique—1971-74, Tour de[...] Read more

Recordings Lawrence Joseph Issue 135

Eric Lewis. Intents & Purposes. Are John Coltrane’s out versions of “My Favorite Things” valid representations of the original Rodgers and Hammerstein song from The Sound of Music? What are the similarities and differences between fully scored and freely improvised music? More generally, how best conceive[...] Read more

Books Lawrence Joseph Issue 134

Lori Freedman. Solor. The title of Montrealer Lori Freedman’s latest disc, Solor, could be a play on solo and Lor(i), but based on the recording’s explosive music, it could also be referring to the volcanic island of Indonesia of the same name. The seven works include five Freedman compositions,[...] Read more

Recordings Lawrence Joseph Issue 134

Suoni per il Popolo Festival, 19th Edition. Spread across four main halls and seven auxiliary venues, the sprawling 2019 Suoni per il Popolo Festival encompassed close to two hundred acts covering the musical spectrum, including electronic, jazz, rock, and the less easily classifiable. The festival is breathtaking in its scope, and[...] Read more

Concerts and Events Lawrence Joseph Issue 134

Ingrid Laubrock. Contemporary Chaos Practices. Born in Germany and based in Brooklyn since 2009, Ingrid Laubrock is widely known as an improvising saxophonist and a composer for and leader of small ensembles. On this CD she expands her creative palette by writing contemporary music for large orchestra.     [...] Read more

Recordings Lawrence Joseph Issue 133

The Necks. Body. Whether intentionally or coincidentally, both the band name The Necks and the album title Body refer to parts of a guitar, an instrument that is prominently featured on the trio’s twentieth release. The fifty-six-minute, four-movement piece starts in familiar territory, with a[...] Read more

Recordings Lawrence Joseph Issue 132

Suoni per il Popolo Festival: 18th Edition Like the accordion played in the large improvising ensemble GGRIL, this year’s Suoni per il Popolo expanded in some dimensions and contracted in others, while continuously bellowing out fascinating sounds. Some years the festival has unfolded over a full month, but the 2018 edition ran[...] Read more

Concerts and Events Lawrence Joseph

Stephanie Richards. Fullmoon. Stephanie Richards, originally from Canada, has established herself as a trumpet player and composer while living in Brooklyn, where she’s collaborated with Butch Morris, John Zorn, and Henry Threadgill. She has expanded the trumpet’s sonic possibilities through extended[...] Read more

Recordings Lawrence Joseph

Jean Derome. Résistances. While his previous conceptual works, like Canot Camping, conjured paddling through streams, Jean Derome considers waves and currents of a different kind on Résistances—a paean to the hum, crackle, and fizz of electricity. After receiving its premiere at the 2015 Festival[...] Read more

Recordings Lawrence Joseph Issue 130