Eighty-five scores celebrate Pauline Oliveros Still Listening: New Works in Honour of Pauline Oliveros (1932-2016) is a project initially conceived to mark Oliveros’ eighty-fifth birthday on May 30, 2017. Eighty-five artists were invited to create eighty-five new compositions, each with a duration of eighty-five seconds. Organized by[...] Read more

In the Works Lawrence Joseph Issue 127

Cold Wave A sad-looking polar bear drifts on a shrinking ice sheet in a vast, deep-blue sea under a bright, blue sky. Scenes like this have long been used to illustrate climate change, and they are more than symbolic. Polar regions are warming at more than twice the rate of the rest of the world. The[...] Read more

Featured Article Jonathan Bunce Issue 139

The Swedish Sound-Art Scene Nadine Byrne Monochrome images of two young women—evidently sisters—stare out impassively from oval apertures that resemble Victorian cameo brooches. A gauzy ectoplasmic fabric oozes from their mouths while, in an aperture between them, their faces merge in a dreamlike blur[...] Read more

Featured Article Julian Cowley Issue 108

Sarah Peeble`s Audio Bee Booth FULL-TEXT AVAILABLE IN PRINT EDITION ONLY   Pollination Wunder Station is a wunderkammer—cabinet of curiosities—full of fascinating living things. The piece is part habitat interpretation, part bio art, part sound installation, and part sculpture. It is one in a[...] Read more

Visions of sound Sarah Peebles Issue 111

Carmen Vanderveken is full of surprises Quebec-born composer Carmen Vanderveken was commissioned by the Dutch annual festival Gaudeamus Muziekweek to write a piece for a quartet featuring Dutch bass clarinetist Fie Schouten.   An earlier piece sheds light on the shape and sound of the music Carmen Vanderveken is[...] Read more

Sound Notes René van Peer Issue 131

Laraaji, Forever Expanding in Experimental Directions New Age legend Laraaji has soared through a five-decade artistic voyage, propelled by the fiery spirit of positivity that’s represented by his trademark orange clothes. The seventy-six-year-old African-American visionary, who continues to joyfully record, perform, and present laughter-[...] Read more

Featured Article Jesse Locke Issue 134

Bret Parenteau widens the loop When Bret Parenteau’s name is attached to a release or performance, those familiar with his music find themselves wondering what kind of intensity the Winnipeg artist is unleashing this time. His work ranges through harsh noise, urban field recordings, and looping synth sounds, but the[...] Read more

Profile Daniel Emberg Issue 127

Philip Glass Most people get presents or have parties thrown for them on special occasions. Philip Glass, however, was in more of a giving mood as he celebrated his seventy-fifth birthday at the end of January. The candles on his cake marked the start of a remarkable year that has the American composer[...] Read more

Featured Article John Terauds Issue 112

loK8Tr FULL-TEXT AVAILABLE IN PRINT EDITION ONLY     They weren’t going to speak with me. Maybe it was just a he or a she, rather than a they. I didn’t know. An e-mail exchange was possible, but I wanted to meet face to face. I tried cajoling the members of the online[...] Read more

Featured Article Matthew Pioro Issue 106

What's Inside Musicworks 151? ON THE COVER Rémy Bélanger de Beauport Rémy Bélanger de Beauport’s roots run deep in Quebec City, where he grew up and is now an activator in the city’s improvised music scene. An artist, cellist, and improviser, he creates communities of[...] Read more

Featured Article STAFF Issue 151

Yaz Lancaster’s Liberatory Modes There’s a rare kind of malleability to the music of transdisciplinary artist Yaz Lancaster. Best known as a composer, violinist, and poet, Lancaster holds degrees both in classical violin and in poetry from New York University (NYU), and has had compositions performed by ensembles such[...] Read more

Sound Bite Sara Constant Issue 142