Recordings
Digital Primitives. Lipsomuch & Soul Searchin’… This two-disc release features a trio of free-jazz stalwarts who do not engage in your standard squawk session. Instead, they slice ninety-four minutes into nineteen funky cuts, as much influenced by country blues, rock, and various world musics as by modern strains of jazz.[...] Read more
Hecker. Articulação. Much of Florian Hecker’s downright preposterous music could easily be regarded as the absurdist vanishing point of technological vanguardism in computer music. Both boisterously noisy and eerily austere, with its hyperactive bursts of sound, his music often feels as though it’s[...] Read more
Jean Derome, Malcolm Goldstein, Rainer Weins. 6 improvisations. Saxophonist Jean Derome, violinist Malcolm Goldstein, and guitarist Rainer Wiens are pillars of Montreal’s improvised music community who retain their sense of whimsy and their willingness to test the limits. Frequent associates in varied contexts, they meet for the first time as a[...] Read more
Rob Power. Touch. Percussionist Rob Power, based in St. John’s, Newfoundland, is a musical jack of all trades, although contrary to the conclusion of the popular saying, he is seemingly a master of all of them. In addition to teaching at the percussion faculty at Memorial University, he performs with[...] Read more
Zacht Automaat. Zacht Automaat. Since forming in 2010, Zacht Automaat (the duo of multi-instrumentalist Carl Didur and Oxford resident Michael McLean, mostly guitar and bass) have released no fewer than eleven albums in various limited formats. Now they’re given the deluxe treatment with a sort of best-of double LP ([...] Read more
GGRIL. Combines. The GGRIL (Grand Groupe Régional d'Improvisation Libérée) is one of Canada’s few large improvising ensembles, a feat made more improbable by their location in relatively isolated Rimouski. From a population of 46,000, bassist Éric Normand has managed to[...] Read more
Juan Blanco. Nuestro Tiempo / Our Time. Through most of the twentieth century, Cuban composer Juan Blanco (1919–2008) was an active and collaborative creator and cultural leader in his homeland—primarily, though not exclusively, through his work in electroacoustic music. “No Cuban composer epitomized musical[...] Read more
Tuen Verbruggen & Arve Henriksen. Black Swan; The Bureau of Atomic Tourism. Second Law of Thermodynamics. These two recent CDs give a strong picture of the breadth of Belgian percussionist Tuen Verbruggen’s playing, showcasing a duo in studio and a live performance as part of a sextet. Verbruggen’s duet with the Norwegian trumpeter Arve Henriksen was done[...] Read more
Mecha Fixes Clocks. Beau comme un aéroport; Pink Saliva. Il parait que. These two CDs, released on Eric Normand’s Tour de Bras imprint, have in common the trumpet of Elwood Epps and the drums of Michel F. Coté, both players dynamic forces on Montreal’s improvised and musique actuelle scenes. Coté’s work, both as a composer[...] Read more
Beverley Johnston. Woman Runs with Wolves. Woman Runs with Wolves, percussionist Beverley Johnston’s fifth solo release on Centrediscs, is undoubtedly her most eclectically programmed to date. Pulling from her sixty-plus commissions of Canadian composers’ work, the selections range across two decades of creation to shape[...] Read more
Bruno Heinen Sextet. Karlheinz Stockhausen: Tierkreis. Tierkreis (German for zodiac) is Stockhausen’s most accessible, most adapted, and likely best-known work. It may also be the most symmetrical, its twelve movements conforming to the zodiac’s twelve signs, each melody based on a twelve-tone row, the pieces arranged in the sequence[...] Read more
Drumheller. Sometimes Machine. Supergroup is both an apt and a ridiculous descriptor for Drumheller, which comprises some of Toronto’s most celebrated experimental and jazz musicians—Nick Fraser, Eric Chenaux (now a Parisian), Brodie West, Rob Clutton, and Doug Tielli—each member teeming with personality and[...] Read more
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