Stuart Broomer

Kyle Brenders. WAYS.   Saxophonist-composer Kyle Brenders has assembled a sextet from among Toronto’s community of improvising musicians to perform an extended composition called Ways. Five segments of the work are heard here (Sections 2, 4, 5, 6, and 8) so the recording explicitly resists the notion of[...] Read more

Recordings Stuart Broomer Issue 107

Jazz em Agosto. Lisbon, Portugal. August 1–2, 6–9, 2009.   There are plenty of festivals designed to exploit beautiful physical settings, but they tend to present the most accessible (and festive) musical genres. At the opposite end of the spectrum there are festivals that emphasize challenging music in ad hoc environments. Somehow, Jazz em[...] Read more

Concerts and Events Stuart Broomer Issue 106

Rainer Wiens. Shadows of Forgotten Ancestors.   More frequently heard playing guitar and prepared guitar in the context of jazz and improvised music, Rainer Wiens performs here on kalimbas—African thumb pianos possessing a distinctive metallic resonance—which are heard prominently at the beginning and end of this unusual[...] Read more

Recordings Stuart Broomer Issue 106

Fast ’n’ Bulbous. Waxed Oop.   Few artists have ever merged and transformed genres with the raw energy and freedom of Don Van Vliet, who under the alter ego of Captain Beefheart (and his Magic Band) merged Chicago blues, backbeats, free-jazz reeds, and lyrics that mingled science fiction, news stories, memoir,[...] Read more

Recordings Stuart Broomer Issue 106

Ganesh Anandan and Hans Reichel. Self Made.   Ganesh Anandan and Hans Reichel are instrument inventors as well as musicians, and this CD consists largely of duets between the two, recorded during a meeting in Wuppertal, Germany. Anandan, born in Bangalore, Southern India, and long resident in Montreal, performs on two different[...] Read more

Recordings Stuart Broomer Issue 106

Annette Krebs and Rhodri Davies. Kravis Rhonn Project. Max Eastley and Rhodri Davies. Dark Architecture. British improviser Rhodri Davies has created a singular niche for himself in improvised music. A master of the harp, he has expanded its sonic palette with a host of extended techniques: amplifying it, preparing it in ways common to the piano and guitar; and plucking, striking, and bowing it[...] Read more

Recordings Stuart Broomer Issue 105