Joëlle Léandre. Zurich Concert During her long career, Joëlle Léandre has been a constant explorer of the possibilities of her string bass and of exploratory musical languages, moving from creative collaborations with composers John Cage and Giacinto Scelsi to a devotion to free improvisation. This June, L[...] Read more

Recordings Stuart Broomer Issue 145

Ingrid Laubrock. The Last Quiet Place In recent decades, tenor and soprano saxophonist Ingrid Laubrock has moved from her native Germany to an extended stay in England to her current American residency. Through the process she has become one of the most inventive members of the international improvising community, a central[...] Read more

Recordings Stuart Broomer Issue 145

Tim Hecker. No Highs Since his last release on Kranky, Tim Hecker has been busy with soundtrack work—most recently for Brandon Cronenberg’s science fiction horror film Infinity Pool. As a result, a directness of intent and execution has settled into his musical approach. The press release for No[...] Read more

Recordings Eric Hill Issue 145

Satoko Fujii & Otomo Yoshihide. Perpetual Motion. Satoko Fujii. Hyaku, One Hundred Dreams The pandemic was a productive time for the ever-prolific pianist Satoko Fujii. Along with her venture into virtual recording—most notably in some remarkable long-distance duets with the Berlin-based vibraphonist Taiko Saito—Fujii released a surprising pair of albums simply titled[...] Read more

Recordings Kurt Gottschalk Issue 145

Pauline Oliveros, IONE, Christopher Willes, and others. Resonance Gathering Resonance Gathering is a thoughtful package that documents and celebrates a recent two-year project to perform a Pauline Oliveros work from 1970: To Valerie Solanas and Marilyn Monroe in Recognition of their Desperation. The title itself suggests mantra, meditation, and healing ceremony,[...] Read more

Books Stuart Broomer Issue 146

Festival International de Musique Actuelle de Victoriaville, 39th edition FIMAV, or Victo, is a unique institution: a festival in farm country 160 kilometres east of Montreal that presents a range of outside musics—avant-jazz and rock, electroacoustic and noise, etc.—from multiple cultures. Having weathered the COVID-19 years to return to its full[...] Read more

Concerts and Events Stuart Broomer Issue 146

Erin Rogers and Alec Goldfarb. Earth’s Precisions Within the lineage of improvised guitar-and-saxophone duo recordings, Earth’s Precisions sets itself apart with its stated aim: exploring a single simulated hybrid of the two musicians’ instruments. Across five expansive tracks, saxophonist Erin Rogers and guitarist Alec Goldfarb[...] Read more

Recordings Patrick O’Reilly Issue 146

Zeena Parkins. Lace Multi-instrumentalist, composer, and improviser Zeena Parkins was not initially inspired by lace, finding it “too ornate, too bourgeois, not [her] thing.” Despite this, she would collect bits of lace, among other textile treasures, from fabric stores on her travels. In 2008, on a[...] Read more

Recordings Monica Pearce Issue 146

Pantayo. Ang Pagdaloy Originating centuries ago in the southern Philippines, kulintang music is played on a set of brass gongs strung on a cord, sitting on a wooden resonator and hit by wooden mallets. Each gong has its own tuning and timbre, and players usually improvise over set rhythms with additional gongs[...] Read more

Recordings Mary Dickie Issue 146

Pierre-Yves Martel. Mer Bleue: Music for Solo Viola da Gamba Adapting and altering the parameters of an instrument first created in the fifteenth century, Montreal’s Pierre-Yves Martel creates a brief (under twenty-five-minute) sound picture of Mer Bleue, a sphagnum bog near Gloucester, Ontario where he often hikes. No watery or moss-like[...] Read more

Recordings Ken Waxman Issue 146

Lune très belle. Ovale Ovale, the second full-length album from Montreal-based composer, singer, and writer Frédérique Roy, defies reduction: Its tendrils are too vast, its heart so pure, its moments never completely passing. Across eleven tracks, Roy and company unfurl a series of dulcet compositions[...] Read more

Recordings Andrew Patterson Issue 146