Recordings

Dafeldecker / Kurzmann / Tilbury / Wishart. Violet 2009. This is the third in a long-standing series of collaborations initiated by Austrian musicians Werner Dafeldecker (electronics and bass) and Christof Kurzmann (electronics and clarinet), which see them teaming up with a small group of other improvisers. This time, the two musicians perform a[...] Read more

Recordings Chris Kennedy Issue 110

Martin Arnold. Tam Lin. Slow but dense, with ripe, colourful gestures and murky tonality, the title composition of Martin Arnold’s Tam Lin inspires a sense of bated-breath wonder, yet utter confusion. But what other results could one achieve by setting the improvisatory and vocal quirks of the Draperies[...] Read more

Recordings Nick Storring Issue 110

Martin Arnold. Aberrare. While definitely more transparent and smoother around the edges than this composer’s other recent recording, Tam Lin , this reading by Quatuor Bozzini of Martin Arnold’s work is equally brilliant, articulating his amblingly weightless melodies with clean precision. The sober[...] Read more

Recordings Nick Storring Issue 110

John Luther Adams. Four Thousand Holes. If minimalist music is like lying back in the grass, waiting and noticing as the stars appear one by one, then the titular piece of John Adam’s latest CD, Four Thousand Holes, could be said to keep rolling back that moment to the appearance of the first star, repeating richly the[...] Read more

Recordings Andrew Hamlin Issue 110

Jason Kahn / Asher. Planes, and Jason Kahn / Günter Müller / Christian Wolfarth. Limmat. These two recordings provide a chance to hear Swiss-based improviser Jason Kahn in two sets of collaborations, both of which feature him improvising on analogue synthesizer with his fellow musicians.   Planes finds Kahn in Boston in live performance with the Massachusetts-[...] Read more

Recordings Chris Kennedy Issue 110

Marc Battier. AudioScans: from works of Roberto Matta. The music on AudioScans is the result of an intriguing process of homage. Marc Battier took nine paintings by the Chilean surrealist painter Roberto Matta and scanned them into his computer. He processed the resulting data into music files, scoring the music by observing how his eyes moved[...] Read more

Recordings Chris Kennedy Issue 109

Various Artists. An Anthology of Noise and Electronic Music, Volume 6. With An Anthology of Noise and Electronic Music, Volume 6, curator Guy Marc Hinant continues his review of this and last century’s hard stuff. He continues his formula—a word that I’m sure would make him bristle—of assembling current artists, influential old-timers,[...] Read more

Recordings Matthew Pioro Issue 109

Rotorelief Records The flip side of the increased move towards digital distribution of music has been that boutique labels have taken up the challenge to create objects that continue to encourage record collecting. France’s Rotorelief is one such label creating beautiful keepsakes that inflame collectors[...] Read more

Recordings Chris Kennedy Issue 109

Sun Ra. College Tour Vol. 1: The Complete Nothing Is... This reissue of Sun Ra’s Nothing Is . . . comes “complete”—or at least more complete, with ninety minutes of extra music—one complete concert set from St. Lawrence University in Potsdam, New York, on May 1996, plus a partial second set and a sound[...] Read more

Recordings Andrew Hamlin Issue 109

Various Artists. Sixty Interpretations of Sixty Seconds. One very strong impression that remained with me after listening to the duration of Sixty Interpretations of Sixty Seconds was that David Sait would make an excellent DJ. Perhaps that sounds like a trivial or flippant remark, but without that curator’s clever and highly musical[...] Read more

Recordings Nick Storring Issue 109

Seattle Phonographers Union. The Seattle Phonographers Union collectively weave together gathered field recordings in real-time to create wafting auditory mirages. As each piece hovers through different combinations of environmental sounds, a milky, dreamlike logic unfolds and establishes a certain gestural rhythm.[...] Read more

Recordings Nick Storring Issue 109

Various Artists. The NYFA Collection: 25 Years of New York New Music. “New York was incredibly rich, although I felt that everything was very centered,” said composer John Morton in an interview with American Mavericks. “There was a certain school here and a certain school there and you could expect this here and could expect this there and[...] Read more

Recordings Matthew Pioro Issue 109