Recordings

Tim Olive / Martin Tétreault. Faune; Doreen Girard / Tim Olive. Boro. Tim Olive is a Prairie-raised sound artist and improviser currently based in Kobe, Japan. He regularly releases music on his 845 Audio label, both on Bandcamp and on CD, the latter in editions of 100. Faune and Boro document Olive in duets with Canadian musicians Martin Tétreault and[...] Read more

Recordings Stuart Broomer Issue 134

Music In The Barns. Bolton-Godin-Oesterle. While one no longer has to adopt postmodernism’s cheeky nihilism when referring to the past in exploratory musical domains, exhibiting this hungry curiosity in concert-music circles might still earn you the regressive neoromantic label. Toronto composer Rose Bolton addresses this[...] Read more

Recordings Nick Storring Issue 134

Mark Takeshi McGregor. Lutalica. The word lutalica, invented by writer John Koenig in his Web-site and YouTube series Dictionary of Obscure Sorrows, denotes the parts of one’s identity that are uncategorizable. For West Coast flutist Mark Takeshi McGregor, the word calls to mind the dissonance between his Japanese,[...] Read more

Recordings Sara Constant Issue 134

Lori Freedman. Solor. The title of Montrealer Lori Freedman’s latest disc, Solor, could be a play on solo and Lor(i), but based on the recording’s explosive music, it could also be referring to the volcanic island of Indonesia of the same name. The seven works include five Freedman compositions,[...] Read more

Recordings Lawrence Joseph Issue 134

George Lewis & Roscoe Mitchell. Voyage and Homecoming. Roscoe Mitchell and George Lewis, two great standard-bearers for improvisation and experimentation, have enjoyed a long partnership. A 1975 Mitchell quartet recording from Toronto’s A Space introduced Lewis as trombonist and as composer of Music for Trombone and B Flat Soprano;[...] Read more

Recordings Stuart Broomer Issue 133

Ingrid Laubrock. Contemporary Chaos Practices. Born in Germany and based in Brooklyn since 2009, Ingrid Laubrock is widely known as an improvising saxophonist and a composer for and leader of small ensembles. On this CD she expands her creative palette by writing contemporary music for large orchestra.     [...] Read more

Recordings Lawrence Joseph Issue 133

François Carrier / Michel Lambert / John Edwards. Elements. Montreal alto saxophonist François Carrier continues to expose his universalist free jazz as widely as possible, recording the extended tracks on Elements at concerts in London and Krakow. While the sonic flow appears almost unstoppable in intensity and inspiration, Carrier is no[...] Read more

Recordings Ken Waxman Issue 133

Bill Bissett & Th Mandan Massacre. Awake In Th Red Desert. The first release from Feeding Tube’s Unknown Province reissue series of Canadian cult classics, which is being curated by liner-notes author Alex Moskos, is a time capsule from a true freak scene. Recorded in 1968 by pioneering sound-and-concrete poet Bill Bissett after arriving in[...] Read more

Recordings Jesse Locke Issue 133

Hugh Marsh. Violinvocations. Electric violinist Hugh Marsh’s impressively varied list of collaborations includes projects with Bruce Cockburn, Bauhaus’s Peter Murphy, Mary Margaret O’Hara, Iggy and The Stooges, the film scores of Hans Zimmer and Harry Gregson-Williams, and—most recently—[...] Read more

Recordings Jesse Locke Issue 133

New Hermitage. Obey Convention XI. Chamber jazz is an intriguing subgenre; programmatic chamber jazz even more so. Halifax-based quartet New Hermitage weaves gently undulating textures out of a unique instrumentation consisting of woodwinds (Andrew MacKelvie), harp (Ellen Gibling), guitar (Ross Burns), and cello (India Gailey[...] Read more

Recordings Daniel Glassman Issue 133

Flying Hórses. Reverie. Redolent of icy streams, brittle emotions, and breathtaking, lonely landscapes, Reverie might be the perfect album for a long, cold winter. This is the second full-length release from Montreal pianist Jade Bergeron, and it’s not surprising to hear that she once lived and worked in[...] Read more

Recordings Mary Dickie Issue 133

Bob Bell. Necropolis. Since its release in 1978, Bob Bell’s Necropolis has grown in stature to become one of Canada’s most highly sought after private-press LPs. The glassy-eyed Vancouver longhair gazing out from the album’s cover photo—strikingly shot from an ant’s eye view pointing[...] Read more

Recordings Jesse Locke Issue 133