This reissue of Sun Ra’s Nothing Is . . . comes “complete”—or at least more complete, with ninety minutes of extra music—one complete concert set from St. Lawrence University in Potsdam, New York, on May 1996, plus a partial second set and a sound check from that same evening. The liner notes, sadly, do not match the instrumental credits. You’ll have to refer to Russ Musto’s essay in the foldout to learn that Marshall Allen contributes eerie, beguiling oboe in addition to alto sax. Ra himself probably (though even the liner notes make this vague) plays a passage on his clavioline, an ancestor of the synthesizers waiting to appear around the next decade.
On the discs themselves, one hears occasional tape flutter and one odd defect where the saxophones seem pinned behind the huge, heavy blades of an industrial turbine fan. Blasting their way clear for extra-musical concerns, Sun Ra And His Band From Outer Space—a title and a statement of purpose—travel time as well as space, from Chicago big-band strut to Fletcher Hampton swing opulence, and—yes, indeed—to free-sounding freak-outs displaying ever-mounting point and counterpoint. The cosmonauts are tried, and come forth as gold.
Andrew Hamlin was born and raised in Seattle, Washington, USA, where he resides today. He attended the Evergreen State College in Olympia where he wrote and edited arts coverage for the Cooper Point Journal. He began writing professionally about music and the arts in 1992. He is the film critic for the Northwest Asian Weekly, and his work has appeared in the Village Voice, Rolling Stone Online, Seattle Times, San Diego Reader, Goldmine, Seattle Weekly, The SunBreak, and other publications.
He has still never found anyone who loves the Happy Flowers nearly so much as himself.