ON THE COVER
ANJU SINGH

Cover photo by Dani Osborne
Story by Melissa Vincent
 
Vancouver-based Anju Singh creative work has spanned a remarkable range of forms throughout her prolific career. "I've always known that I wanted to make things, she tells writer Melissa Vincent. She is a multi-instrumentalist, composer, sound artist, instrument builder, sculptor, animator, filmmaker, and curator. A longtime drummer in metal bands, she has always loved underground metal and music that pushes the boundaries of listening into the body. With numerous projects (sound installations, film scores, compositions, new instruments) already unleashed in 2026, and commissions in motion, Singh is taking matters into her own hands to keep art at the centre.
 
 
 
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MINISTRY OF PHONIC SERVICES

Words and photos by Joe Strutt
Pack your headphones and an extra garbage bag for a field trip with citizen archivist Joe Strutt as he follows Toronto’s Ministry of Phonic Services into the less-trodden corners of the urban outdoors to chronicle a year of their low-impact, community-supporting sonic events. "The curatorial impulses of the Ministry of Phonic Services lean toward new approaches to audio and sound, often at the more abrasive end of experimentation—where punk-inspired harsh noise rubs shoulders with more academic electroacoustic improvisation," Strutt writes.
 

[MONRHEA]

The aliases of Kenyan artist Wanjiru Ngure carry groovy worlds of their own, from drum and bass, techno, and hip-hop to African polyrhythms, creative coding, and new media. [MONRHEA]  goes beyond fixed forms, venturing into collaboration, discovery, and experimentation, leaning to the unconventional and unpredictable while staying true to human form and agency. Technology is a powerful tool for creating immersive environments, and so is ancestral knowledge, heritage, and legacy. While performing DJ sets at international festivals, she builds community groups in Nairobi that support rising techno artists and sharpen their creative coding skills. How does humanity embed its place within the [RHEAVERSE] of circuitry and futurism that [MONRHEA] is building? Juro Kim Feliz sets out to learn more. 
 

ARTHUR BULL

Guitarist Arthur Bull spent his teen years in 1960s Toronto exploring the nascent rock, blues, and jazz scenes. Active early on in bar bands and improv ensembles during the foundation of the Music Gallery and CCMC, he blossomed as a player after moving to rural Nova Scotia. Geographically distant yet never isolated, Bull built strong relationships with artists like Paul Cram, Daniel Heïkalo, and Eric Normand, while regular travels for his day job as a small fisheries lobbyist provided opportunities to improvise with notable  artists around the globe. Bull speaks with  Eric Hill about the perpetual discovery of guitar possibilities, publishing poetry, and how someone who never planned to be a professional musician has spent sixty years playing music in myriad contexts.
 
Drummer and composer John Hollenbeck forms collaborative ensembles to spark creative ideas and communities.  He talks to Kurt Gottshcalk about the fun and challengeing performance practice of hocketing, the latest release from his band GEORGE (Looking for Consonance), and his collaborations with Meredith Monk and others. 
 
Mili Hong's love of making rhythms  started when she was a kid playing Beatmania at the local arcade and started her on a path from jazz to the more experimental forms and sounds she creates in Montreal ensembles, including her own.  Graham Latham traces her journey. 
 
Composer Panayiotis Kokoras talks to editor Jennie Punter about his piece Viper Snake, first-place winner of the 2025 Musicworks Electronic Music Composition Contest. 
 
We review of new music from Allison Cameron and Scott Thomson, Wendy Eisenberg, Le GGRIL + DDK, Alex Zhang Hungtai, Radwan Ghazi Moumneh and Frédéric D. Oberland, Ryan Scott, Jacques Kuba Séguin, Tanya Tagaq, Toninato and Thiessen, and Witch Prophet.
 
We review the 2026 Festival international de musique actuelle de Victoriaville; the book Soundtrack to the Revolution: Free Jazz and Leftist Nationalism in Quebec, 1967- 1975; and  the documentary Nash the Slash Rises Again!
 
Summer 2026
Musicworks 154
 
Panayiotis Kokoras
1> Viper Snake 7:56
 
Mili Hong 
2> Morning 8:20
Composed by Eli Davidovici
 
John Hollenbeck
3> Porter (10,000 men named George) 2:37
4> Sighs 5:48
 
[MONRHEA]
5> selfINversion 3:29 
Composed with AGF
6> Blooming Bells 5:34
 
Arthur Bull
7> Guitar Improvisation No.3 7:51
 
Anju Singh
8> Ascension 6:41
9> Grit 6:15
Composed with Ted Byrnes
 
Ministry of Phonic Services 
10> Stadium 20:03
Performed by Owen Kurtz, Em Wright, Louis Pino, Brian Ruryk, and %%30%30
 
PHOTO BY DANI OSBORNE
 
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