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Home / Listen / Musicworks magazine recordings / Musicworks 119 CD
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Various artists issue # 119
1Amanem Composed and performed by Jerusalem In My Heart (Radwan Ghazi Moumneh, Malena Szlam Salazar, and Jérémie Regnier) using buzuk, Analog Solutions Telemark synth, Oberheim two-voice synth and voice, and tape delay. The track is a very intimate conversation between a person and god, and the conversation is a critique by the person of god and one of god’s disciples. —Radwan Moumneh Recorded and produced by Radwan Moumneh in Montreal. Mastered by Harris Newman. From the 2013 album Mo7it Al-Mo7it (Constellation Records, CST093). Licensed courtesy of Constellation Records. © 2012 Radwan Ghazi Moumneh, Malena Szlam Salazar, and Jérémie Regnier 8:54
2Constellations I Composed by Chiyoko Szlavnics for Eve Egoyan. Performed by Eve Egoyan (solo piano & sine waves). Recorded in concert by Paul Hodge at the Music Gallery in Toronto. © 2011 Chiyoko Szlavnics (The credits above apply to tracks 3 and 4.)3:19
3Constellations II Audio available on CD only.3:11
4Constellations III Audio available on CD only.3:15
5Improvisation—Louis and Cristina Performed by Louis Andriessen (piano) and Cristina Zavalloni (voice). This improvisation was recorded during a program of free improvisation that was part of Andriessen at 70, a festival celebrating the music and ideas of Louis Andriessen and presented by Music On Main, April 3–8, 2009, in Vancouver. Recorded in concert by Marc L’Esperance at Heritage Hall in Vancouver on April 7, 2009. © 2009 Louis Andriessen, Cristina Zavalloni 11:03
6Solo IV Composed and performed by Isaiah Ceccarelli (percussion). This improvisation for solo percussion was recorded in concert by Antoine Polin at Chapelle Sainte-Anne in Tours, France, in March 2011. © 2011 Isaiah Ceccarelli (SOCAN)6:46
7Of This Land Composed and performed by Petra Glynt (Alexandra Mackenzie), using samples, recorded drums, voice, kazoo, and chimes. Released in June 2013 on the EP Of This Land (Healing Power Records, HPR 14). © 2012 Alexandra Mackenzie. 3:13
8For MA Electrochemical improvisation by Erin Sexton, using water, epsom salt, oscillators, electromagnetic amplifiers, copper wire, and nine-volt batteries. Using simple analog circuits, I experiment with salt solutions as signal processors, searching for links between the cosmic and the molecular through sound. Multiple wires converge in a single solution, creating fragile and chaotic feedback systems from which both noise and strange patterns emerge. The process of ions separating from molecules is sonified, creating a tactile link with matter, while changing both the colour and composition of the solution, which I then crystallize. —Erin Sexton Recorded in the artist’s studio in Montreal in April 2014. © 2014 Erin Sexton 6:07
9Live in Silent Barn Audio available on CD only. Live improvisation by Gil Delindro. In this performance, I extended the variety of sounds I’ve been working with through my Canadian tour—mixing inputs from amplified ice cracking, water, feedback, sound sculptures, and field recordings. The several layers of sounds are processed and performed in real time, using the mixer as a main instrument—a new approach that brought me a strange acousmatic feeling while playing . —Gil Delindro Recorded in concert at Silent Barn in Brooklyn, N.Y., on March 24, 2014. © 2014 Gil Delindro 12:58
10The Night Paddler Audio available on CD only. Composed and performed by Michael Trommer, using Edirol R-09HR audio recorder, Audio-Technica AT822 microphone, Cold Gold hydrophone, home-made microphone array, and contact microphone. This piece consists of field recordings made during solo late-night paddles in the summer of 2013. The intense darkness and sonic filtering effects of the local landscape during these treks engendered what were striking and uncanny acousmatic experiences. —Michael Trommer Recorded and composed at Big Bob Lake, Ontario, in Summer 2013. © 2013 Michael Trommer -
