Recordings
Giant Claw. Soft Channel. Giant Claw is the vapourwave–plunderphonics sound-collage pseudonym of musician, visual artist, and Orange Milk label-boss Keith Rankin, of Columbus, Ohio. Soft Channel, his new album, is a paradoxical object, at once one of the most fragmented and one of the most listenable variants[...] Read more
Jamie Drouin & Hannes Lingens. Alluvium; The Holy Quintet. Borough. Far from his Victoria, B.C., home base, sound-artist–composer Jamie Drouin helps animate notable improvisational landscapes on these European-recorded sets. Two extended tracks on Borough find Drouin’s suitcase-sized modular synthesizer and radio put to good use in The Holy[...] Read more
Andrew Raffo Dewar / Andrea Centazzo / Anne LeBaron. Encantamientos. Residing in a soundworld created from aleatory, signal-processed, and improvised music, the seven tracks of Encantamiento are performed by musicians who move easily from one genre to another without fissure. Percussionist Andrea Centazzo is known for his jazz and soundtrack work, harpist[...] Read more
Civvie. Inheritance. Weaving is a frequent metaphor for music-making, especially when the interplay of discrete elements creates a single cohesive texture. The Winnipeg trio Civvie's overcast, mahogany-hued sonics lend themselves to such a metaphor, but their peculiar instrumentation adds another dimension[...] Read more
Ka Baird. Sapropelic Pycnic. Nothing will ever remain the same. There is no such thing as firm ground that will give stability and security. Ka Baird’s solo album Sapropelic Pycnic revolves around the theme of transformation, in various senses. She processes the sounds of her flute, of her voice—multiplying[...] Read more
Political Ritual. Political Ritual. Political Ritual, the eponymous release by the Québécois electronic music duo of Maxime Corbeil-Perron and Félix-Antoine Morin, presents itself as a mystery, white print on a grey cover, a series of lighter, vertical oscilloscope intrusions appearing almost possibly[...] Read more
Gordon Grdina Quartet. Inroads. Moving away from the hushed nature of his earlier chamber music, Vancouver guitarist and oudist Gordon Grdina enlists a trio of New Yorkers to toughen his sound while maintaining its fluidity. The nine tracks on Inroads find keyboardist Russ Losing frequently elaborating themes in double[...] Read more
Nick Fraser. Is Life Long? The opening four minutes of Toronto drummer and composer Nick Fraser's new disc consists almost entirely of long astringent tones that seem simultaneously on the brink of decay and of gathering momentum. This impression is compounded by Fraser’s brittle, skittering accompaniment of[...] Read more
Tim Beattie. Of Spectra. The debut release from young, award-winning Toronto classical guitarist Tim Beattie is filled with compositions that subtly shift, the way sunlight does in a room throughout the day. Merging classical guitar and electronics, Beattie, producer Connory Ballantyne, and engineer William Crann,[...] Read more
James Rolfe. Breathe: music for voices and early instruments New music for period instruments is not always convincing. But in these substantial works, James Rolfe avoids pastiche, homage, and self-conscious novelty, creating music that is subtle, sophisticated, and surprising. In Breathe (2011) Anna Chatterton’s new[...] Read more
Godspeed You! Black Emperor. Luciferian Towers. At this point, the GY!BE formula probably needs no introduction. Godspeed You! Black Emperor has been making long-form, crescendo-driven, enigmatically titled, outspokenly political, communally produced, instrumental post-rock for over twenty years, with no major[...] Read more
Joni Void. Selfless. It’s hard to be lo-fi in the twenty-first century. Even the most rudimentary contemporary sound recorders—on a smartphone or laptop, say—lack the auditory artifacts so fetishized by connoisseurs of tape and vinyl and emulated by much contemporary sampling and plunderphonics[...] Read more
- 19 of 40
- « first
- ‹ previous
- next ›
- last »