Spring 2003 - Summer 2004
Issue #85 Spring 2003
Articles
Integrating Extremes: the Music of Richard Teitelbaum, by Randy Raine-Reusch
The Amplified Touring Sound Installation: New and Used Furnitute Music; When it Rains, by Gordon Monahan
The Long String Instrument, by Ellen Fullman
Twenty Quarter-inch Jacks: Adventures with an Orchestra of Amateur Guitarists, by Tim Brady
Sounding the Written Seen: W, Mark Sutherland, by Paul Dutton
Commentary: Where We're Going, by Joel Chadabe
Nownotes: corrections, verbs, questions, by Udo Kasemets
Reviews
ArrayMusc plays Scratch Music, by Scott Wilson and Brian Latta
Vancouver New Music Festival 2002; Sylvian Leroux; Steve Peters(CDs), by Randy Raine-Reusch
Rien a Voir 2002, by Matthew MacFarlane
Nihilist Spasm Band; Sound Travels 2002, by Tilman Lewis
Newfoundland Sound Symposium, 2002, by Kathy Kennedy
Georges Azzaria (CD), by Michael Dobell
Nik Beeson (CD), by John Melmoth
Curlew (CD), by Ken Waxman
Christopher Hobbs (CD), by Daniel Varela
James Tenney (CD), by Bruce Russell
Ivan Wyschnegradsky, Bruce Mather (CD), by John Beckwith
Scores
Change of Direction, by Ellen Fullman
20 Jacks 1/4 (excerpts), by Tim Brady
Iro Wa Nioedo (last chorus); Blends; Threshold Music, by Richard Teitelbaum
Somewhat Surprised (Visions of Sound), by Bill Smith
Recordings
Danse Aquatique; Flextone, by Gordon Monahan
Train; And if I Don't Bring You Flowers; Singing with the Birds in Berlin (with Eliza
Slavet); I Ain't Got No Home ( arr of Woody Guthrie song), by Ellen Fullman
Invocation of Aleksei Kruckonykh; Tongue Tango; R Got (with Nobu Kubota), by W. Mark Sutherland
Overboard (with Steve Lacy); Iro Wa Nioedo: Final Chorus; Solo for Three Pianos, by Richard Teitelbaum
Lassus; Harmonic Fields; Closing (from Twenty Quarter-Inch Jacks), by Tim Brady
Issue #86 Summer 2003
Articles
The Expansive Spirit of Marcelle Deschênnes, by Rosemary Mountain
Cage's Sonatas & Interludes for Prepared Piano, by James Tenney
Vocal Strolls, Voicing the Soundscape, by Viv Corringham
The Continuous Now - Peter Hatch's Musical Vision and Community Presence, by James Harley
Commentary: Gobal Warming and Art, by John Luther Adams
Nownotes: Questions????, by Udo Kasemets
Reviews
'Facing South' by Linda C. Smith, by Jennifer Bird
Open Ears 2003, by James Harley
Laurie Anderson, David Byrne, Marina Rosenfeld, Ben Rubin at New York's
Wintergarden, 2002, by Daniel Goode
Guelph Jazz Festival, 2002, by Marc Chenard
New Adventures in Sound, 2002, by Dyniss and Kristiana Clemens
Daniel Plonsey, by Tom Djill
Saskatoon New Music Festival 2002, by Steven Ross Smith
San Francisco's Other Minds 2002, by Cathryn Hrudicka
Jerome Noetinger, Sophie Agnel, Lionel Marchetti; Mujician; Newton and Bynum (CDs), by Ken Waxman
Pierre-André Arcand; Lee Pui Ming (CDs), by Mark W. Sutherland
Morton Feldman; [The User] (CDs), by Tilman Lewis
Joëlle Léandre, Lauren Newton (CD), by Paul Dutton
Parmegiani, Bernard (CD), by Roger Sutherland
Joergen Teller (CD), by Tim Brady
Mark C. van Tongeren (CD), by Randy Raine-Reusch
Xenakis Remixes (CD), by Matthew McFarlane
Jeremy Turner's Net Art, by Tobias C. van Veen
Scores
MOLL - opera lilliput pour six roches molles, by Marcelle Deschênes
Music is a Beautiful Disease; One Says. History Is.; Gathered Evidence (excerpts), by Peter Hatch
Sonatas and Interludes (excerpts), by John Cage
Recordings
And As He; In a Vernacular Way; Il Comento dell'armonia e dell'inventione I, Allegro, by Peter Hatch
London - Tate Modern; London - Kenwood Bathhouse; London - St. Pancras Station, by Viv Corringham
Sonatas and Interludes: Third Interlude; Sonatas IX, X, XI, XIII, by John Cage
Indigo; Le Bruit des Ailes, by Marcelle Deschênes
Issue #87 Fall 2003
Articles
David Rokeby: A Vision of Hearing, Artistic Explorations of Sight, Sound and Silence, by David McCalum and Gayle Young
Martin Arnold - Getting Lost, an Art of Musical Meandering, by Paul Steenhuisen
Spiritual Spectralism, the Music of Jonathan Harvey, Claire Sykes
A Vast and Elusive Musical Architecture - Performing Sorabji's Symphony no. 4 for Piano Alone, by van Reinier Houdt and Rene van Peer
Commentary: Yoga for the Ears - Why Radio Producers Need to
Soundwalk, by Victoria Fenner
Nownotes: Musiquestions, by Udo Kasemets
Reviews
Sherwood Conference on Twentieth Century Music, 2003, by Kathryn Gleasman Pisaro
Andrea Neumann, Annette Krebs, by Chris Kennedy
Robert Ashley's Celestial Excursions; Gordon Mumma, Larry
Plansky(CDs), by Ralf Dietrich
Festival International de Musique Actuelle de Victoriaville (FIMAV) 2003, by Eric Lewis
Tim Brady (CD), by Andrew Hurlbut
John Cage recorded by various musicians (CDs), by Udo Kasemets
John Weinzweig, Murray Adaskin, Jean Coulthard, Jacques Hétu, Harry Freedman (CDs), by John Beckwith
David Mott, Mark Dresser, Gerry Hemingway (CD), by Ken Waxman
Peter Hatch, (CD), by Marc Couroux
Alvin Lucier (CD), by Warren Burt
Elizabeth McNutt (CD), by Ellen Waterman
Phil Niblock (CD), by Fabio Rojas
Pholde (CD), by Chris Kennedy
Hildegard Westerkamp (CD), by Matthew McFarlane
Wimme (CD), by Doug Harvey
Dmitry Bulatov's International Anthology of Sound Poetry (book with CDs), by Paul Dutton
Steve Reich on Music (book), by Bruce Russell
Sonic Geography, edited by Ellen Waterman (book), by Anna Friz
John Whiteoak, Improvisation in Australia (book), by René van Peer
Scores
Bhakti; String Quartet #4; Mothers Shall Not Cry; Madonna of Winter and Spring (excerpts), by Jonathan Harvey
Symphony no. 4 for Piano Alone (excerpts), by Kakhosru Shapurji Sorabji
Visions of Sound: Piano Arranement for Twelve Hyacinths; A Slow Formation of Letters (images), by Natalie Taylor
Recordings
Mortus Plango, Vivos Voco; Imaginings 9; The Riot, by Jonathan Harvey
Symphony No. 4 for Piano Alone, variations 14 - 17; variations 25-30; variations 34-35, by Kakhosru Shapurji Sorabji
Recording of n-chant installation, by David Rokeby
(Damper) Coaster; Cowdrifting, by Martin Arnold
Issue #88 Spring 2004
Articles
Learning to Listen - The Rich Aural Art of Francis Dhomont, by Matthew McFarlane
Listening on the Edge - After Rudolf Komorous, by Martin Arnold
The Loudspeaker as Instrument - The Soundworks of Nancy Tobin, by Anna Friz
Commentary: A West Bank Music Education, by John Kameel Farah
Nownotes: project SYMPHOSIUM, by Udo Kasemets
Reviews
Ulrich Maiss a.k.a. Cellectric performs CelloMachine: Variations on Metal Machine Music at the Music Gallery in Toronto, October 4, 2003, by Tilman Lewis.
Guelph Jazz Festival, September 3–7, 2003, by GayleYoung
Sound Travels, Toronto Island August 9, 2003, by Kristiana Clemens
Vancouver International Jazz Festival, June 20-July 1, 2003, by Randy Raine-Reusch
Ajay Heble and Daniel Fischlin, eds. Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. 2003, by Gayle Young.
D.D. Jackson, George Elliott Clarke. Québécité. 2003, by Gayle Young.
John Luther Adams, The Light That Fills the World , by Daniel Varela
Francis Dhomont (CD), by Matthew McFarlane
David Dunn (CD), by Julian M. Cowley
Ju-Jikan: Ten Hours of Sound From Japan, by Chris Kennedy
Taku Sugimoto, Masafumi Ezaki and Taku Unami, Trio at Offsite, by Chris Kennedy
Sabat / Clarke, Christian Wolff: Complete Music for Violin and Piano, by Udo Kasemets
Leonardo Music Journal Volume 11, Not Necessarily “English Music”: Britain’s Second Golden Age, by Julian M. Cowley
Scores
Bhakti; String Quartet #4; Mothers Shall Not Cry; Madonna of Winter and Spring (excerpts), by Jonathan Harvey
Sophia’s Daughter, by Allyn Harris
Recordings
Anatomy of Melancholy by Rudolf Komorous
Phonurgie; Sous le regard d’un soleil noir; Novars; Chiaroscuro; Forêt profonde (excerpts) by Francis Dhomont
BAROKsoundscapes by Nancy Tobin
Bas Relief I; Bas Relief II by John Kameel Farah
Issue #89 Summer 2004
Articles
Testing the Limits of the Possible: A Portrait of John Gzowski, by Tilman Lewis
Where the Frets Fall: A Brief Introduction to Microtonality, by Tilman Lewis
Robin Hayward: Redefining an Instrument, by Chiyoko Szlavnics
Carbonoproyecto: Listening in Argentina, by Fabian O. Racca with Gayle Young
Old Times and New Music: Minimalist Tom Johnson Talks With Conceptualist Jim Burton
Commentary: Ears of a Siberian Reindeer, by Kathleen Jenks
Nownotes: projectSYMPOSIUM: End of an Era, by Udo Kasemets
Reviews
Scratch!2: The Music of Christian Wolff, by Chris Kennedy
Winnipeg New Music Festival, by Paul Steenhuisen
Christian Marclay (exhibition), by Ben Portis
How it Storms, a gamelan opera, by Barbara Benary
Tetuzi Akiyama, Toshimaru Nakamura, Taku Sugimoto, Mark Wastell, Foldings (CD), by Ken Waxman
Art Bears, The Art Box, by René van Peer
Frederic Blondy, Lê Quan Ninh, by Ken Waxman
Coelacanth.the glass sponge, by Chris Kennedy
Experimental Musical Instruments – Early Years, Experimental Music Instruments – Later Years, Funny Noises (book/CD), by René van Peer
Hans Fjellestad, 33, by Ken Waxman
Ga Pa: Ganesh Anandan, Patrick Graham, Imaginaria, by Randy Raine-Reusch
Charlotte Hug, Chantale Laplante, Brilliant Days (CD), by Randy Raine-Reusch
Voicecrack and Guenter Mueller, buda_rom (CD), by Chris Kennedy
Natto Quartet, Headlands, by Randy Raine-Reusch
John Oswald, aparanthesi, by Udo Kasemets
Micheal J. Schumacher, Room Pieces, by Randy Raine-Reusch
Films by Michael Ondaatje (DVD), by Jonathan Garfinkel
Scores
Journal, Catch, by John Gzowski
Piano Haiku, Crank Start, Tones, by Robin Hayward
Recordings
Birdos, by John Gzowski (music) and Julia Aplin (lyrics)
On the 19th; Variation #4 for multitracked Cat’s Cradle, by John Gzowski
Coil for solo tuba; Piano Haiku; Crank Start for solo violin, by Robin Hayward
Intactos, improvisation by Los Cuises: Gustavo Sidam and Fabian Racca, guitars
Los Cuises Outdoors, improvisation by Los Cuises: Gustavo Sidam and Fabian Racca, guitars and voices
Los Cuises, by Los Cuises: Gustavo Sidam and Fabian Racca
Rain, by Fabian Racca
Diving, by Gustavo Sidam
Circuito Integrado, by Nestor F. Tempesta
Resounding Pipe, by Fabian Racca
Rotosonoriphone; String Quartet No. 1; Scaffold; Passages from a Buried Script; by Jim Burton
