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Authors as a group. 30 Years of Listening—Recollections of Sonic Meditations with Pauline Oliveros. 78. |
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Bailey, Derek. Derek Bailey In Toronto. 9. |
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Behrens, Jack. I am Not Greg Curnoe, Part 1. 63. |
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Behrens, Jack. I am Not Greg Curnoe, Part 2. 64. |
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Boulaine, Yves; Harwood, Andrew; Crawford, Christopher; Oswald, John. Talk about Improvising. 10 |
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Burt, Warren. Teaching without Teaching: Al Wunder's Theatre of the Ordinary. 76. |
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Corringham, Viv. Vocal Strolls, Voicing the Soundscape. 86. |
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Courtis, Anla. Commentary: Disabilities and Abilities for Thinking Oustide the Box in Contemporary Sound Work. 83. |
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Couture, François. Joane Hétu's Diverse Musical Missions. 92. |
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Cronkite, David. Mediating Gesture, an interactive approach to computer-assisted music. 78. |
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Dallaire, Carol. The Possible Poetry of Limits. 80. |
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De Bièvre, Guy. The Improvisation Moderator of Nicholas Collins. 49. |
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Denis, Jean-François. René Lussier: a Guitarist who Speaks a Different Language. 58. |
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Dessen, Michael. Taking Chances: The Musical Craft of Yusef Lateef. 72. |
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Dobinson, Michael. Fragile Sounds for Transitory Instruments: The Glass Orchestra. 65. |
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Dovercourt, Jonny. Eric Chenaux: Guitarist-Singer-Songwriter Who Won’t Stay Parked, an interview. 93. |
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Druick, Don. Talking with NOW. 1. |
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Dutton, Paul. Beyond Doo-Wop or: How I came to Realize That Hank Williams Is Avant Garde. 54. |
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Dutton, Paul. Sonic Core: The Cross-Disciplinary Art of Nobuo Kubota. 65. |
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Dutton, Paul. Sounding the Written Seen. 85. |
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Gelinas, Robert. De La Grande Depression à la Grande Déprime. 18. |
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Gelinas, Robert. Does Bilingual Mean Double-Tongued? 18. |
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George, Michele. Remembering Ourselves: Michele George in conversation with Christopher Butterfield. 42. |
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Given, Dan. The Piano Artistry of Dana Reason. 74. |
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Goldstein, Malcolm. Improvisation. 20. |
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Goldstein, Malcolm. Improvisation: Towards a Whole Musician in a Fragmented Society; The Gesture of Improvisation; Being in the Sound. 78. |
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Goldstein, Malcolm. Searching out the Sounding Line. 64. |
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Goldstein, Malcolm. The Gesture of Improvisation (1982). 46. |
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Goldstein, Malcolm. The Politics of Improvisation—Some Fundamental Questions About Music-Making. 77. |
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Gould, Maria. Ascending to Chaos—Urge and the Radical Ordinary. 78. |
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Hodgkinson, Tim. Improvised Music and Siberian Shamanism. 66. |
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Hyland, Marc. De la composition traditionnelle à l'improvisation. 69. |
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Kaiser, Henry. The Music is a Strange Mixture of Things: an interview with Henry Kaiser by Mike Hovancsek. 54. |
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Kennedy, Chris. Interventions of Vision and Sound: la cellule d’intervention Metamkine. 94. |
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Lee, David. Notes Toward a Unified Theory of Chaos & Improvisation or: the autonomy of tiny things. 54. |
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Misha Mengelberg: interview by Andrew Timar. 14. |
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Moule, Richard. The Nihilist Spasm Band—Consciously Striving for a Wall of Sound. 81. |
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Namtchylak, Sainkho. Tearing Down Borders, Opening the Soul: Tuvan vocalist Sainkho Namtchylak (Interview by R. Raine- Reusch and P. Dutton). 68. |
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Neil, Al. Howard Broomfield: an interview with Al Neil. 9. |
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Newman, Kurt; Thorpe, Josh; Genaro, Mike. No Ulterior Motives—Kurt Newman and Mike Genaro of Wrist Error (an interview by Josh Thorpe). 77. |
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Noyes, Charles. Seven Examples of the Peculiar in North Indian Music. 34. |
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Oliver, John. Reinventing Tradition: the past, present and future of Zheng Virtuoso Mei Han. 92. |
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Oliveros, Pauline. Quantum Improvisation: The Cybernetic Presence. 75. |
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Oliveros, Pauline. Quantum Listening—from Practice to Theory (to Practise Practice). 76. |
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Oswald, John. To Be Discussed, an interview with Peter Cusack. 10. |
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Oughton, John. Memories of Larry Dubin. 9. |
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Parker, Evan; Mattes, Al; Anson, Peter. Talk with Evan Parker.10. |
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Pearson, Tina. Making Sound: Lisa Nelson and Danny Lepkoff. 19. |
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Peebles, Sarah. High-tech versus My-tech: Developing Systems for Electroacoustic Improvisation and Composition. 66. |
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Racca, Fabin O. Carbonoproyecto; Listening in Argentina. 89. |
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Raine-Reusch, Randy. Integrating Extremes: the Music of Richard Teitelbaum. 85. |
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Ratté, Michel. Complexité et diversité dans la musique de Wreck's Proggress. 72. |
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Ratté, Michel. Réinterpréter L'improvisation musicale: L'improvisation comme forme. 66. |
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Ratté, Michel. Situation des improvisateurs interprétant théoriquement l'improvisation. 54. |
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Rivest, Johanne. Une tension et une dé-tension, entrevue avec Joëlle Léandre. 58. |
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Sawai, Kazue; Raine-Reusch, Randy. From Hope to Reality: An Interview with Kazue Sawai. 66. |
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Sokol, Casey. Notes on Piano Improvisation. 17. |
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Steenhuisen, Paul. The Receptive Clarinet of François Houle. 92. |
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Sykes, Claire. Paul Plimley: Playing with Fire. 79. |
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Sykes, Claire. Stuart Dempster, Sound Gatherer. 94. |
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Tremblay, Danielle. Quand les femmes se mêlent d'improvisation: Joane Hétu. 54. |
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Waterman, Ellen. Confluence and Collaboration, Part 2, Performing R. Murray Schafer's And Wolf Shall Inherit the Moon. 72. |
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Waterman, Ellen. The Manlicher Carcano Radio Hour—Making No Noise. 84. |
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Waterman, Ellen. Lori Freedman, Composer and Musician. 94. |
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Williams, Davey. Basic Object Guitar; The Imminent Celestial Vicinities; The Antimatter of Musical Continuity. 34. |
